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Tema: Megalopolis (Francis Ford Coppola, 2024)

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  1. #1
    gurú Avatar de Otto+
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Robert Altman (probablemente ya enfermo pero aún dirigiendo) y Lindsay Lohan hace dos décadas, que yo recuerde no hubo escándalo:

    Spoiler Spoiler:


    Presunción de inocencia, ante todo. Si no... mal andamos.

  2. #2
    Crew Expendable Avatar de Muthur
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Cita Iniciado por Otto+ Ver mensaje
    Robert Altman (probablemente ya enfermo pero aún dirigiendo) y Lindsay Lohan hace dos décadas, que yo recuerde no hubo escándalo:

    Spoiler Spoiler:
    Lógico... Entonces no había "coordinadores" sindicados de ninguna estupidez, buscando protagonismo y necesitando "justificar" su existencia ante los medios amarillistas.
    Charrán
    Del ár. hisp. *šarrál 'vendedor de jureles'.

    1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.

    2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.

  3. #3
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Pues el festival de cine de Toronto ha desvelado su programación para este año (del 5 al 15 de Septiembre) y al final si que proyectarán Megalopolis dentro de su selección oficial.

    Comentan que la suya será la premiere norteamericana del film.


    Revisiting themes from earlier films such as Apocalypse Now and Tucker: The Man and His Dream while channelling Fritz Lang’s Metropolis, Coppola weaves together dreams of a glorious future with a profound lament for a world withering under the weight of its own corruption. Elevated by an astonishing supporting cast including Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, and Dustin Hoffman, Megalopolis is the work of an uncompromising artist whose understanding of history, mastery of filmmaking, and belief in civilization’s potential remain a beacon of light.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  4. #4
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Coppola el instagramer. Ay la madre que lo parió. Que huevos tiene, le da igual todo.

    https://scontent-mad1-1.cdninstagram...GQ&oe=66C6C731
    Última edición por Branagh/Doyle; 17/08/2024 a las 20:03
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  5. #5
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Utopia se asociará con Lionsgate para el marketing y posterior lanzamiento del film en cines estadounidenses el próximo 27 de Septiembre.

    Utopia will create and implement specialty marketing, word-of-mouth, and non-traditional theatrical distribution initiatives targeting moviegoers.

    Utopia as behind such movies as the critically acclaimed Shiva Baby and the Oscar shortlisted Holy Spider.




    Said Coppola: “I am confident we are in great hands with Lionsgate, and Robert and his team at Utopia will be a tremendous addition. They have proven that there is success in an artist-first approach while also making bold moves, especially at a time when our film business often shies away from daring endeavors. I know Utopia will help Megalopolis discover untapped audiences and opportunities for its theatrical launch alongside Lionsgate.”




    Added co-founder Robert Schwartzman: “The visionary, inventive, and cinematic epic that is Megalopolis is exactly the kind of film that excites us at Utopia. It could only come from a storyteller like Francis who has been known to take business and creative risks to support his vision. We are already deep in conversations with Lionsgate’s incredible team and are working together to collaborate on a special campaign to support this one-of-a-kind film experience.”

    Utopia’s upcoming slate includes the surf documentary Trilogy: New Wave, Fantasia hit thriller Red Rooms, Gia Coppola’s The Last Showgirl starring Pamela Anderson which is making its TIFF world premiere and the fraternity drama The Line starring Alex Wolff and Halle Bailey. There’s also the recent release The Good Half starring Nick Jonas, Oscar nominee Elisabeth Shue, and David Arquette. Earlier this year, the U.S. based indie distribution, production and sales company released the critically acclaimed Femme starring Nathan Stewart-Jarrett and George Mackay, the Cannes 2023 darlings The Sweet East from Sean Price Williams and Omen by Baloji, in addition to the Sundance debut Drift starring Cynthia Erivo, all in theaters.

    Megalopolis is making its North American premiere at TIFF. The pic will also play in Imax when it opens on Sept. 27.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  6. #6
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Poster oficial francés.


    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  7. #7
    Bibliotecario cinéfilo Avatar de Tripley
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Cita Iniciado por Branagh/Doyle Ver mensaje
    Coppola el instagramer. Ay la madre que lo parió. Que huevos tiene, le da igual todo.

    https://scontent-mad1-1.cdninstagram...GQ&oe=66C6C731
    Ironía de la fina.

    Saludos
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

  8. #8
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Cita Iniciado por Tripley Ver mensaje
    Ironía de la fina.

    Saludos



    Que pillo Tripley, eso que insinúas no lo había captado yo al principio. Pero la verdad es que tienes razón, ahora las películas "normales" en estados unidos son las de superheroes o las de franquicias como SW (Disney). El resto son poco habituales... si uno lo piensa bien, es algo triste.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  9. #9
    Bibliotecario cinéfilo Avatar de Tripley
    Fecha de ingreso
    19 nov, 07
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    Madrid
    Mensajes
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    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Correcto, la película de Coppola será vista por más de uno como arte y ensayo.

    Saludos
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

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