Tema: Megalopolis (Francis Ford Coppola, 2024)

Última edición por Branagh/Doyle; 22/08/2024 a las 00:31 Razón: Mejor así.

What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.