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Re: Megalopolis (Francis Ford Coppola, 2024)
No quiero ser agorero pero da la sensacion de que no me equivocare con lo de solo en VoseIniciado por Branagh/Doyle
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues si. Pero entonces que no digan que la van a estrenar "en todo el país".
Vaya tela.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Esperaos, no creo que TriPictures solo la estrebe dn VO.
Re: Megalopolis (Francis Ford Coppola, 2024)
Ya recuerdo que me dijiste Prime que sabiendo como funciona la industria en España con respecto a estrenos USA, que no esperase nada de Tripictures respecto a Megalopolis hasta mínimo primeros de Septiembre.
¿Pero todavía no han subido la versión corregida del trailer?. La madre que los parió, que no es tan difícil.
Mirad, otros canales ya lo han hecho:
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Calita, estamos llorando de la risa. Por lo visto lo clavaste con tu texto ironizando sobre lo que ha podido suceder con el trailer.
Mira:
As a video editor: 100%; this is what happened. People down chain do not listen and find it really hard to accept qualifiers like "draft" and "placeholder".
Madre mía...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Eddie Egan, trabajador de Lionsgate en el departamento de marketing, y responsable de escribir y montar el trailer, ha sido despedido tras reconocer que usó inteligencia artificial para generar las citas vistas en el trailer y posteriormente se las atribuyó a críticos importantes de la época en relación a las obras de Coppola mencionadas en el mismo.
SENCILLAMENTE ALUCINANTE.
Sources tell Variety it was not Lionsgate or Egan’s intention to fabricate quotes, but was an error in properly vetting and fact-checking the phrases provided by the consultant. The intention of the trailer was to demonstrate that Coppola’s revered work, much like “Megalopolis,” has been met with criticism. It appears that AI was used to generate the false quotes from the critics.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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