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Resultados 1 al 25 de 1846

Tema: Megalopolis (Francis Ford Coppola, 2024)

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  1. #1
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    21,693
    Agradecido
    51049 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    El anuncio oficial:

    This is the way MEGALOPOLIS was meant to be seen, in a large venue, with a crowd and followed by intense interactive discussions about the future.

    I’m bringing MEGALOPOLIS, to unique theatres in select cities across the country. Following the screenings, I will lead an interactive conversation about the future of humanity, along with a live audience Q&A




    Unique theaters... ¿que son, como salas premium o algo así? Por el precio de las entradas (muy elevado), eso parece.

    Veremos si le sale bien y llena los pases, o se la pega y certifica que el interes mayoritorio por el film es hoy por hoy nulo. Yo personalmente no me atrevo a pronosticar nada.
    Última edición por Branagh/Doyle; 21/06/2025 a las 14:11 Razón: Arreglar imagen
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  2. #2
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    21,693
    Agradecido
    51049 veces

    Predeterminado Re: Megalopolis (Francis Ford Coppola, 2024)

    Adam Driver. Cada día me cae mejor. Culto, serio y formal.


    This is a principled life, and for a year in our culture when the importance of the arts is minimized and our industry is seemingly out in the open that the only metric to judge a film’s success is by how much money it makes, I hang on to individuals like Francis for inspiration, who live through their convictions, through big moves, all in service of pushing the medium forward. Francis took $120 million and created a singular gesture for what he thought film could be, and I think that’s pretty great.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

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