Esto es brutal:

Megadoc is a good documentary—because Megalopolis is a bad film. What begins as a hopeful chronicle of an ambitious production gradually turns into the portrait of a crew worn down by chaos and disillusionment. The most revealing and compelling moments come from Mike Figgis himself, a silent observer who occasionally steps in front of the camera to confess—almost guiltily—that part of him is glad every time something goes wrong on set, because it makes his documentary more interesting. By the end, I almost want to watch Coppola’s Megalopolis again. Almost.