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Re: Megalopolis (Francis Ford Coppola, 2024)
Mike Mignola trabajó en el Drácula de Coppola como ilustrador, supongo que haciendo storyboards y concept art. Se nota, sobre todo, en la secuencia del prólogo: esos planos de la batalla con la silueta de los guerreros sobre fondo rojo, esos empalados en lanzas... todo es puro "mignolismo".Iniciado por Branagh/Doyle
Re: Megalopolis (Francis Ford Coppola, 2024)
Mignola no me atrae especialmente, pero es obvio que tiene mucha personalidad y un estilo propio, que es lo que falta en este comic. Es un dibujante con un estilo narrativo muy marcado y rico, y aunque uno no comulgue con su dibujo, todo el Mignolaverse es muy disfrutable; cuando dibuja sus propios argumentos es uno de los grandes (te guste más o menos).
Cuando el artista tiene muchos "compromisos" visuales por ser la recreación de una película, y además pocas "tablas", es normal que el resultado sea como el de este comic. De todos modos lo mollar aquí será el aspecto narrativo y conceptual, al menos para la mayoría.
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
Re: Megalopolis (Francis Ford Coppola, 2024)
De acuerdo de nuevo. Aunque si el comic acaba siendo, a nivel de historia y desarrollo argumental, más rico o satisfactorio que la propia película, no sé yo hasta que punto eso podría considerarse algo positivo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Estoy de acuerdo, pero creo que mucho tendría que sorprender el cómic para ser como dices... Y la película, con su corte ya estrenado, me parece muy notable.
Veremos.
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
Re: Megalopolis (Francis Ford Coppola, 2024)
No no, si a mí también. Por eso digo que sería decepcionante que el comic fuese argumentalmente más jugoso.Estoy de acuerdo, pero creo que mucho tendría que sorprender el cómic para ser como dices... Y la película, con su corte ya estrenado, me parece muy notable.
Veremos.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Curioso: MegaDoc está disponible para streaming en exclusiva -de momento- para subscriptores de Canal+ Francia (y lo ofrecen en 4K UHD).
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Megalopolis Unbound.
Ese será el título oficial del montaje del director de Megalopolis según ha contado el propio Coppola a The Telegraph en una larga e interesante entrevista. Coppola ha definido este montaje, preferido por su amigo George Lucas, como "realmente salvaje".
El director está viviendo en un palazzo propiedad de su familia en el sur de Italia, donde además de trabajar en el montaje del director de Megalopolis, está preparandolo todo para iniciar en las próximas semanas el rodaje de su adaptación de Glimpses of the Moon.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
A ver si hay suerte y lo vemos por aquí editado.
Soñar es gratis.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Megalopolis (Francis Ford Coppola, 2024)
Buscando, resulta que existe este libro.
Leche, Coppola no da puntada sin hilo. También comentó a The Telegraph que este nuevo montaje, a nivel de estructura, sigue más la lógica de los sueños que la de la realidad.
Conclusión, a George Lucas le gusta la droga dura en términos cinematográficos.
Última edición por Branagh/Doyle; 15/12/2025 a las 12:58
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Nuevo trailer de MegaDoc para el mercado internacional. A ver si tenemos noticias de un posible estreno por aquí pronto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Francis Ford Coppola, entre el duelo y el cine: “Siempre tuve a alguien con quien conectar emocionalmente, ahora no sé dónde estoy”
"Planeo lanzar una versión del director de ‘Megalópolis’, que se llamará ‘Megalópolis Unbound’. Será realmente alocada”, anunció, adelantando que incluirá escenas nuevas con la actriz Kathryn Hunter. “A la gente le lleva un tiempo gustarle lo nuevo”, comentó, consciente de la recepción dividida que tuvo la primera edición de la película."
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Y mientras, The Guardian, quien en su día estuvo al frente de la infame campaña de desprestigio contra Coppola, está rabiando.
[B]Megalopolis: the $120m Coppola flop that just won’t go away
A screening tour, a New Year’s re-release, a documentary, an incoming director’s cut … will we ever be rid of this historic misfire?
[/B]
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Parece que les escuece que la película no esté ya olvidada por todo el mundo... Huele a rabieta infantil de medio palafrenero de los estudios... Seguramente sea una impresión equivocada, ¿verdad?
Feliz año, B/D, por cierto.
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
Re: Megalopolis (Francis Ford Coppola, 2024)
¡Feliz año!Parece que les escuece que la película no esté ya olvidada por todo el mundo... Huele a rabieta infantil de medio palafrenero de los estudios... Seguramente sea una impresión equivocada, ¿verdad?
Feliz año, B/D, por cierto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Feliz Año.Parece que les escuece que la película no esté ya olvidada por todo el mundo... Huele a rabieta infantil de medio palafrenero de los estudios... Seguramente sea una impresión equivocada, ¿verdad?
Feliz año, B/D, por cierto.
PD: Sustancialmente, huele a 'no nos ha funcionao'
Re: Megalopolis (Francis Ford Coppola, 2024)
MegaDoc ya está disponible en el servicio de streaming de Criterion (quienes lo anunciaron, por cierto, con un stay tuned en su redes sociales refiriendose a Megalopolis, o sea que yo diría que se atisban cosas en el horizonte).
Nuevo clip:
Última edición por Branagh/Doyle; 29/01/2026 a las 22:15
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Fragmentos varios de MegaDoc en gran calidad. Muy interesantes.
Spoiler:
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Que dice Coppola que Megalopolis se está preparando para volver a los cines.
No entiendo. ¿Pretende estrenar el montaje extendido en salas?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Puede que quiera hacer otra tournée por salas selectas con proyección y charla, como hizo con el montaje "theatrical" en su momento.
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
Re: Megalopolis (Francis Ford Coppola, 2024)
Oh. Tiene sentido, si.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Última edición por Branagh/Doyle; 16/03/2026 a las 11:01
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Megalopolis vuelve a los cines este mes y durante todo el verano. Serán proyecciones en días concretos y distintas ubicaciones con charla posterior que se irán anunciando poco a poco, como las que se llevaron a cabo el verano pasado. La novedad es que esta vez habrá una proyección en Toronto, Canadá, y posiblemente en otras localizaciones. El tour anterior no salió de los Estados Unidos.
Por otro lado, por alguna razón, también se ha presentado un nuevo poster para la película. Por último, el montaje extendido, Megalopolis Unbound, se continúa preparando.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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