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Re: Mi amigo el gigante (Steven Spielberg, 2016)
Si, el relato de Dahl es para críos pequeños, y bastante corto. Muy muy infantil, y de agradable lectura (a mi me gustó mucho)aunque yo no soy de los que piensan que eso condiciona negativa o positivamente.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Mi amigo el gigante (Steven Spielberg, 2016)
Lo de las dos mitades diferenciadas en tono es tal cual en el relato del escritor.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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