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Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
fpgkbvlfkgngffff ... me está provocando el Primeclemmensen .....Iniciado por PrimeCallahan
Lo de Mendes fue cuestión de agendas, dos films con Marc Foster seguidos (White Bird y Otto - no el forero-) , obligaron a Newman no poder trabajar en Empire of Light.
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
Patrick Doyle y Thomas Newman han alcanzado una edad que en cualquier otra profesión les permitiría estar jubilados (y no lo están porque no quieren). Pero con lo cambiante y caprichosa que está la industria, ¿creéis que están para soportar a cualquier cabezón que no sabe ná de ná de las altas esferas? Falta la energía de la juventud y el ansia de terreno virgen por conquistar). Bastante es que no están juntos en una playa tumbados en una hamaca tomando un daiquiri con sombrillita
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
De la obra clásica que os he (te he),mandado via MP porque creo que os puede gustar como aficionados a las BSO que sois, ni pio eh. Ni tú ni Tripley. Vaya tela. Ni que sea para decir "interesante, me la guardo y la iré escuchando cuando pueda".
Synch si me ha dado las gracias, que conste.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
Ah, o sea que me has mandado un paquete rollizo y jugoso. ¿Con amor?De la obra clásica que os he (te he),mandado via MP porque creo que os puede gustar como aficionados a las BSO que sois, ni pio eh. Ni tú ni Tripley. Vaya tela. Ni que sea para decir "interesante, me la guardo y la iré escuchando cuando pueda".
Synch si me ha dado las gracias, que conste.
Sí, me supongo
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
Pues si. Mira bien tu buzón de MP.Ah, o sea que me has mandado un paquete rollizo y jugoso. ¿Con amor?
Que contiene la Scene d´amour original, no digo más.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
I am wondering if maybe Patrick Doyle decided it was safer to clear his schedule for the coronation commission rather than risk having a clash trying to finish a movie score. He's been doing lots of media work so, while it may not have taken him long to write a 4 minute processional, the associated obligations behind the scenes might be considerably more than we might suppose at face value. I'd be astonished if PD and KB have fallen out.
Y claro...
Has anyone tried to contact either Branagh, or Doyle, to ascertain why?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
Parece que, a diferencia de las dos entregas anteriores, esta no ha sido rodada en 70mm, ni tampoco en celuloide. Asimismo, la relación de aspecto también ha cambiado. Ya no es 2:39:1, sino 1:85:1.
¿Recorte presupuestario?.
Última edición por Branagh/Doyle; 22/05/2023 a las 11:00
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
fpgkbvlfkgngffff ... me está provocando el Primeclemmensen .....
Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)
Que me meooooo.fpgkbvlfkgngffff ... me está provocando el Primeclemmensen .....
Ay.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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