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Tema: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

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  1. #1
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    I am wondering if maybe Patrick Doyle decided it was safer to clear his schedule for the coronation commission rather than risk having a clash trying to finish a movie score. He's been doing lots of media work so, while it may not have taken him long to write a 4 minute processional, the associated obligations behind the scenes might be considerably more than we might suppose at face value. I'd be astonished if PD and KB have fallen out.


    Y claro...

    Has anyone tried to contact either Branagh, or Doyle, to ascertain why?
    jmac1972 y Otto+ han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  2. #2
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    Parece que, a diferencia de las dos entregas anteriores, esta no ha sido rodada en 70mm, ni tampoco en celuloide. Asimismo, la relación de aspecto también ha cambiado. Ya no es 2:39:1, sino 1:85:1.

    ¿Recorte presupuestario?.
    Última edición por Branagh/Doyle; 22/05/2023 a las 10:00
    jmac1972, Tripley y Otto+ han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  3. #3
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    O quizás responde a otro tipo de necesidades, diferente historia, diferentes necesidades, Quizás en esta ocasión haya muchos interiores que no favorecería el uso del 2'39.
    jmac1972, Tripley y Otto+ han agradecido esto.

  4. #4
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    Cita Iniciado por tatoadsl Ver mensaje
    O quizás responde a otro tipo de necesidades, diferente historia, diferentes necesidades, Quizás en esta ocasión haya muchos interiores que no favorecería el uso del 2'39.
    Eso espero yo también.
    jmac1972, Tripley y Otto+ han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  5. #5
    Chico del futuro Avatar de Marty_McFly
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    Cita Iniciado por Branagh/Doyle Ver mensaje
    Parece que, a diferencia de las dos entregas anteriores, esta no ha sido rodada en 70mm, ni tampoco en celuloide. Asimismo, la relación de aspecto también ha cambiado. Ya no es 2:39:1, sino 1:85:1.

    ¿Recorte presupuestario?.
    Cita Iniciado por tatoadsl Ver mensaje
    O quizás responde a otro tipo de necesidades, diferente historia, diferentes necesidades, Quizás en esta ocasión haya muchos interiores que no favorecería el uso del 2'39.

    O las dos cosas. La taquilla de la anterior entrega no era todo lo que esperaban, así que puede haber habido recorte. Y que Brannagh, conocedor de esos condicionantes, haya elegido la historia y el modo de rodarla de acuerdo a eso.
    jmac1972, Tripley, Ponyo_11 y 2 usuarios han agradecido esto.
    I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)

  6. #6
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    The screenplay is inspired by Agatha Christie's 1969 novel "Hallowe'en Party", with the setting changed from the UK to Venice, Italy. It is the first time this story is adapted into a feature film.

    Jamie Dornan and Jude Hill were previously directed by Sir Kenneth in Belfast (2021). In that film, Hill's character is seen opening Christmas presents, one of which is a copy of "Hallowe'en Party", which is the original title of this new project.


    jmac1972, Tripley y PrimeCallahan han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  7. #7
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    A Haunting in Venice will mark the second Kenneth Branagh film in a row not to be scored by Patrick Doyle due to Doyle being commissioned to write King Charles' coronation march; the first being Belfast, which did not use an original score. Scoring duties went to Icelandic composer Hildur Guðnadóttir.


    This is the first Hercule Poirot movie to be filmed digitally, with Sony Venice cameras in the taller 1.85:1 aspect ratio

    Joder con las coincidencias...
    jmac1972, Tripley y PrimeCallahan han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  8. #8
    Vigilante Avatar de Branagh/Doyle
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    Por cierto... que prolífico está Branagh de nuevo, ¿no?. Cómo director de cine, digo.
    jmac1972, Tripley y PrimeCallahan han agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  9. #9
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    Predeterminado Re: Misterio en Venecia (A Haunting in Venice, 2023, Kenneth Branagh)

    Cita Iniciado por Branagh/Doyle Ver mensaje
    This is the first Hercule Poirot movie to be filmed digitally, with Sony Venice cameras in the taller 1.85:1 aspect ratio
    Esto si que me suena mas a un presupuesto más modesto.

    El uso del 1'85:1 ya me parece más por un tema de historia y localizaciones.
    Branagh/Doyle ha agradecido esto.

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