A Haunting in Venice will mark the second Kenneth Branagh film in a row not to be scored by Patrick Doyle due to Doyle being commissioned to write King Charles' coronation march; the first being Belfast, which did not use an original score. Scoring duties went to Icelandic composer Hildur Guðnadóttir.


This is the first Hercule Poirot movie to be filmed digitally, with Sony Venice cameras in the taller 1.85:1 aspect ratio

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