Tráiler Subtitulado
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Tráiler Subtitulado
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Vemos que aquí JoSpoiler:
El trailer me ha gustado mucho. Formalmente parece todo muy cuidado (Yorick Le Saux ya tiene mi nominación al Oscar sólo por en instante de baile en el porche) y respecto al reparto habrá que ver cómo se presentan las quinielas (por ahora, Streep con su frase lapidaria en el trailer creo que sale ya con algo de ventaja). Respecto a Gerwig, creo que estaría nominada en guión adaptado más que en director. Ya veremos.
Y ojalá sigan rodando juntos Ronan y Chalamet, esa química que poseen se tiene que ver más veces. A la altura de Stone y Gosling.
Saludos
Última edición por Tripley; 14/08/2019 a las 00:08
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pues según IMDB es... Desplat
https://www.imdb.com/title/tt3281548...=tt_cl_sm#cast
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Pienso que raro va a ser no ver a Desplat nominado por este trabajo.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.