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Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
Acaba de estrenar M. Il figlio del secolo, miniserie basada en la novela del mismo nombre sobre el ascenso al poder de Mussolini. Dirige todos los episodios. La recomiendo encarecidamente, por cierto.Iniciado por Vespasià
Última edición por Branagh/Doyle; 13/03/2025 a las 23:43
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
Pues la veré en cuanto la pasen por alguna plataforma. Espero reencontrar al mejor Joe Wright.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
La tienes entera en Skyshowtime.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
Entiendo que, en principio, es un reestreno en cines americanos, no? Hay posibilidades de verla por aquí?
Un saludo.
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
Lo que estaría bien es una re-edición en 4K en condiciones. Es extraño porque, a pesar del 20 aniversario, no se ha oido nada al respecto…
Un saludo.
Última edición por Dr. Morbius; 12/06/2025 a las 23:45
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Re: Orgullo y prejuicio (Pride & Prejudice, 2005, Joe Wright)
Esta es la primera vez en mucho tiempo que... es genial que Knightley y Pike hayan accedido a esto, despues de que se distanciasen debido a que Knightley siguió manteniendo una estrecha amistad con Joe Wright después de que este y Pike cancelaran su compromiso (un poco de cotilleo, pero bueno). Es bonito que hayan hecho las paces.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
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