Regístrate gratis¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.
Blu-ray, DVD y cine en casa
Regístrate gratis!
Registro en mundodvd
+ Responder tema
Resultados 1 al 25 de 2355

Tema: Oscars 2015

Vista híbrida

  1. #1
    Senior Member Avatar de tomaszapa
    Fecha de ingreso
    10 ene, 06
    Ubicación
    Torremolinos
    Mensajes
    24,539
    Agradecido
    96299 veces

    Predeterminado Re: Oscars 2015



    Y las siguientes, aún más recientes, son las nominaciones de la Visual Effects Society (VES) , que en su 13ª edición, son (solo los apartados de cine):

    Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture
    Dawn of the Planet of the Apes
    Joe Letteri
    Ryan Stafford
    Matt Kutcher
    Dan Lemmon
    Hannah Blanchini
    Guardians of the Galaxy
    Stephane Ceretti
    Susan Pickett
    Jonathan Fawkner
    Nicolas Aithadi
    Paul Corbould
    Interstellar
    Paul Franklin
    Kevin Elam
    Ann Podlozny
    Andrew Lockley
    Scott Fisher
    Maleficent
    Carey Villegas
    Barrie Hemsley
    Adam Valdez
    Kelly Port
    Michael Dawson
    The Hobbit: The Battle of the Five Armies
    Joe Letteri
    David Conley
    Eric Saindon
    Kevin Sherwood
    Steve Ingram
    X-Men: Days of Future Past
    Richard Stammers
    Blondel Aidoo
    Lou Pecora
    Anders Langlands
    Cameron Waldbauer
    Outstanding Supporting Visual Effects in a Photoreal/Live Action Feature Motion Picture
    Birdman or (The Unexpected Virtue of Ignorance)
    Ara Khanikian
    Ivy Agregan
    Sebastien Moreau
    Isabelle Langlois
    Divergent
    Jim Berney
    Greg Baxter
    Matt Dessero
    The Grand Budapest Hotel
    Gabriel Sanchez
    Jenny Foster
    Simon Weisse
    Jan Burda
    The Imitation Game
    Stuart Bullen
    Lucy Ainsworth-Taylor
    Simon Rowe
    Unbroken
    Bill George
    Steve Gaub
    Erin Dusseault
    Dave Morley
    Brian Cox
    Outstanding Animation in an Animated Feature Motion Picture
    Big Hero 6
    Don Hall
    Chris Williams
    Roy Conli
    Zach Parrish
    How to Train Your Dragon 2
    Bonnie Arnold
    Dean DeBlois
    Dave Walvoord
    Simon Otto
    Rio 2
    Carlos Saldanha
    Bruce Anderson
    John C. Donkin
    Kirk Garfield
    The Boxtrolls
    Travis Knight
    Anthony Stacchi
    Graham Annable
    Brad Schiff
    The Lego Movie
    Chris McKay
    Amber Naismith
    Jim Dodd
    David Williams

    Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture
    Dawn of the Planet of the Apes; Caesar
    Paul Story
    Eteuati Tema
    Andrea Merlo
    Emiliano Padovani
    Dawn of the Planet of the Apes; Koba
    Daniel Barrett
    Alessandro Bonora
    Mark Edward Allen
    Masaya Suzuki
    Guardians of the Galaxy; Rocket
    Kevin Spruce
    Rachel Williams
    Laurie Brugger
    Mark Wilson
    Maleficent; Thistlewit
    Darren Hendler
    Matthias Wittmann
    Jeremy Buttell
    Elliot Rosenstein
    Outstanding Animated Character in an Animated Feature Motion Picture
    Big Hero 6; Baymax
    Colin Eckart
    John Kahwaty
    Zach Parrish
    Zack Petroc
    How to Train Your Dragon 2; Hiccup
    Jakob Hjort Jensen
    Fabio Lignini
    Stephen Candell
    Hongseo Park
    Rio 2; Gabi
    Jason Sadler
    Ignacio Barrios
    Drew Winey
    Diana Diriwaechter
    The Boxtrolls; Archibald Snatcher
    Travis Knight
    Jason Stalman
    Michael Laubach
    Kyle Williams


    Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture
    Captain America: The Winter Soldier; Triskelion Headquarters
    Johan Thorngren
    Greg Kegel
    Quentin Marmier
    Luis Calero
    Interstellar; Tesseract
    Tom Bracht
    Graham Page
    Thomas Døhlen
    Kirsty Clark
    Lucy; Times Square
    Richard Bluff
    Steve Bevins
    Steve DeLuca
    Tiffany Yung
    Noah; Antediluvian Earth
    Grady Cofer
    Dan Wheaton
    Susumu Yukuhiro
    Ben O'Brien
    Outstanding Created Environment in an Animated Feature Motion Picture
    Big Hero 6; Into the Portal
    Ralf Habel
    David Hutchins
    Michael Kaschalk
    Olun Riley
    How to Train Your Dragon 2; Oasis
    Sun Yoon
    Liang-Yuan Wang
    Ted Davis
    Shannon Thomas
    The Book of Life; Magical Land of the Remembered
    Glo Minaya
    Amy Chen
    Sean McEwan
    Jeff Masters
    The Boxtrolls; Boxtroll Cavern
    Curt Enderle
    Rob DeSue
    Emily Greene
    Jesse Gregg


    Outstanding Virtual Cinematography in a Photoreal/Live Action Motion Media Project
    Dawn of the Planet of the Apes
    Keith Miller
    Jonathan Paquin
    Alessandro Saponi
    David Houghton Williams
    Edge of Tomorrow; Beach and Paris Attacks
    Albert Cheng
    Jose Enrique Astacio Jr.
    Michael Havart
    Dion Beebe
    Interstellar; Tesseract
    Faraz Hameed
    Stephen Painter
    Hoyte van Hoytema
    Dorian Knapp
    X-Men: Days of Future Past; Kitchen Scene
    Austin Bonang
    Casey Schatz
    Dennis Jones
    Newton Thomas Sigel
    Outstanding Models in any Motion Media Project
    Big Hero 6; City of San Fransokyo
    Brett Achorn
    Minh Duong
    Scott Watanabe
    Larry Wu
    The Boxtrolls; Mecha-Drill
    Tom McClure
    Oliver Jones
    Raul Martinez
    The Hobbit: The Battle of the Five Armies; Laketown
    Leslie Chan
    Alastair Mayer
    Niklas Preston
    Justin Stockton
    Transformers: Age of Extinction; Knightship
    Landis Fields
    John Goodson
    Anthony Rispoli
    Dae Han
    Outstanding Effects Simulations in a Photoreal/Live Action Feature Motion Picture
    Captain America: The Winter Soldier; Helicarrier Broadside and Crash
    Dan Pearson
    Sheldon Serrao
    Jose Burgos
    Eric Jennings
    Edge of Tomorrow; Destruction and Sand
    Steve Avoujageli
    Pawel Grochola
    Atsushi Ikarashi
    Paul Waggoner
    The Hobbit: The Battle of the Five Armies
    Jon Allitt
    David Caeiro
    Ronnie Menahem
    X-Men: Days of Future Past; Quicksilver Pentagon Kitchen
    Adam Paschke
    Premamurti Paetsch
    Sam Hancock
    Timmy Lundin
    Outstanding Effects Simulations in an Animated Feature Motion Picture
    Big Hero 6
    Henrik Falt
    David Hutchins
    Michael Kaschalk
    John Kosnik
    How to Train Your Dragon 2; The Battle
    Spencer Knapp
    Baptiste Van Opstal
    Lucas Janin
    Jason Mayer
    The Boxtrolls
    Kent Estep
    Peter Stuart
    Ralph Procida
    Timur Khodzhaev
    The Lego Movie
    Carsten Kolve
    Jayandera Danappal
    Matt Ebb
    Miles Green


    Outstanding Compositing in a Photoreal/Live Action Feature Motion Picture
    Dawn of the Planet of the Apes
    Christoph Salzmann
    Florian Schroeder
    Quentin Hema
    Simone Riginelli
    Edge of Tomorrow; Beach
    Craig Wentworth
    Matthew Welford
    Marie Victoria Denoga
    Frank Fieser
    Interstellar; Water
    Raphael Hamm
    Isaac Layish
    Sebastian Von Overheidt
    Tristan Myles
    The Hobbit: The Battle of the Five Armies
    Simon Jung
    Ben Roberts
    Matthew Adams
    Jordan Schilling



    El 4 de febrero se conocerá los ganadores, sabiendo de antemano que el premio especial honorífico, el Visionary Award será entregado al director, productor y guionista J. J. Abrams.
    Según la nota de esta sociedad, no han podido contar con la presencia de Ridley Scott, y por eso, esperarán a un futuro para entregarle el Lifetime Achievement Award (el premio a toda una carrera).

  2. #2
    sabio Avatar de Draconary
    Fecha de ingreso
    11 jun, 07
    Mensajes
    2,741
    Agradecido
    4509 veces

    Predeterminado Re: Oscars 2015

    Nominados al gremio de directores

    Alejandro Gonzalez Iñarritu por Birdman
    Richard Linklater por Boyhood
    Wes Anderson por Gran Hotel Budapest
    Clint Eastwood por American Sniper
    Molten Tyldum por The imitation Game
    We few, we happy few, we band of brothers; for he to-day that sheds his blood with me shall be my brother; be he ne'er so vile, this day shall gentle his condition; and gentlemen in England now-a-bed shall think themselves accurs'd they were not here, and hold their manhoods cheap whiles any speaks that fought with us upon Saint Crispin's day.

  3. #3
    Bibliotecario cinéfilo Avatar de Tripley
    Fecha de ingreso
    19 nov, 07
    Ubicación
    Madrid
    Mensajes
    29,568
    Agradecido
    74144 veces

    Predeterminado Re: Oscars 2015

    Nominaciones del Gremio de directores (Directors Guild of America, DGA)

    · Wes Anderson {The Grand Budapest Hotel}
    · Clint Eastwood {American Sniper}
    · Alejandro G. Iñárritu {Birdman or (The Unexpected Virtue of Ignorance)
    · Richard Linklater {Boyhood}
    · Morten Tyldum {The Imitation Game}

    Fuente: http://www.dga.org/News/PressRelease...Film-Noms.aspx

    Para mi ha sido una sorpresa ver a Eastwood y Tyldum en vez de, por ejemplo, Fincher o Dan Gilroy.

    A día de hoy el favorito creo que es Linklater, pero yo no descarto aún a Iñárritu o Anderson. Me parece interesante, además, que este trío de directores también estén siendo premiados en su faceta de guionistas.

    De cara a las nominaciones al Oscar, creo que ahora las nominaciones del DGA influyen menos ya que se hacen públicas sólo dos días antes de las nominaciones de la Academia. Yo creo que Iñárritu, Anderson y Linklater también serán nominados al Oscar y las dos plazas que quedan por cubrir una yo se la daría a Fincher y la quinta ya veremos a quién.

    Saludos
    Última edición por Tripley; 13/01/2015 a las 21:12
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

  4. #4
    Bibliotecario cinéfilo Avatar de Tripley
    Fecha de ingreso
    19 nov, 07
    Ubicación
    Madrid
    Mensajes
    29,568
    Agradecido
    74144 veces

    Predeterminado Re: Oscars 2015

    Draconary, veo que he estado algo lento

    Saludos
    Q: "I'm your new quartermaster"
    007: "You must be joking"
    _______________________

    CLAUDIO: "Lady, as you are mine, I am yours"

    _______________________

    EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"

  5. #5
    Senior Member Avatar de tomaszapa
    Fecha de ingreso
    10 ene, 06
    Ubicación
    Torremolinos
    Mensajes
    24,539
    Agradecido
    96299 veces

    Predeterminado Re: Oscars 2015



    Añado varios datos interesantes sobre los nominados y el premio en sí:

    - Estos premios se crearon en 1948. Entre los ilustres que conformaban el primer Comité encargado de los mismos estaban John Ford, Frank Capra o Norman Taurog.

    - El primer ganador fue Joseph L. Mankiewicz por Carta a tres esposas.

    - Estamos por tanto, ante la edición 67ª de los mismos.

    . Para Wes Anderson es su primera nominación, igual que para Richard Linklater y Morten Tyldum.
    . Iñarritu logra su tercera nominación. Antes estuvo nominado por Babel, en el 2006, y ganó en el 2012 en el apartado de anuncio comercial por "Best job"
    . Para Eastwood es su cuarta nominación. Antes, ganó dos veces, por Million dollar baby, en el 2004 y por Sin Perdón, en 1992. Estuvo nominado también por Mystic river, en el 2003. Desde el 2006 posee el Lifetime Achievement Award, el premio honorífico a la trayectoria como director.

    - El 7 de febrero se sabrá quién gana.

  6. #6
    Senior Member Avatar de tomaszapa
    Fecha de ingreso
    10 ene, 06
    Ubicación
    Torremolinos
    Mensajes
    24,539
    Agradecido
    96299 veces

    Predeterminado Re: Oscars 2015

    Ahora mi opinión o valoración, para no desvirtuar los datos objetivos

    - Me alegro de que Anderson "corra con un buen caballo". Parece que estamos ante el año de su consagración definitiva. Seguro que cosecha muchas importantes nominaciones.

    - También es una alegría ver a Eastwood. También como Anderson, pero desde más tiempo, es fiel a un estilo propio y eso tiene mucho valor en Hollywood.

    - Creo que estamos ante un año "especial" para los directores nominados. Salvo Eastwood, por veterano, y Tyldum, por llevar menos tiempo, estamos ante tres directores que llevan años haciendo las cosas bien (Anderson, Iñarritu, Linklater), sin apenas reconocimiento en premios. Ahora parece que ha llegado su momento.

    - Por mi no me importaría que se quedara tal cual en los Oscar, pero intuyo alguna variación. Y más por el lado de que entre una mujer en liza (Ava Duvernay) que por el de David Fincher, al que nunca hay que dar por muerto.

  7. #7
    Senior Member Avatar de tomaszapa
    Fecha de ingreso
    10 ene, 06
    Ubicación
    Torremolinos
    Mensajes
    24,539
    Agradecido
    96299 veces

    Predeterminado Re: Oscars 2015

    Vamos al apartado "bipolar" de cada Gala. Algunos reaccionan con "qué interesantes" y otros con "me aburro"

    Me refiero a los 21 avances y logros en los aspectos técnicos y científicos del cine, que se premian en esta edición. Yo siempre he creído que realmente por sí solos, en el espectador medio, no llaman la atención, pero que a medio y largo plazo, son los responsbles de buena parte del avance y cambios en la forma de entender y de mostrarnos el cine. Por ejemplo, véase esa fantástica aplicación de las "modernidades" el año anterior, con Gravity, o este año, con Birdman, y hablo de películas "no palomiteras".
    Y es que la tecnología puede estar al servicio de buenos films ,incluso blockbusters, como esos fantásticos Guardianes de la Galaxia o las últimas de Marvel o las últimas entregas de los simios o las fantásticas de animación, tipo Cómo entrenar a tu dragón o La Lego.

    TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES)
    To Peter Braun for the concept and development of the MAT-Towercam Twin Peek, a portable, remote-controlled, telescoping column that smoothly positions a camera up to 24 feet vertically.
    This small cross-section system from Mad About Technology can operate from above or below the camera, achieving nearly impossible shots with repeatable movements through openings no larger than the camera itself.
    To Robert Nagle and Allan Padelford for The Biscuit Jr. self-propelled, high-performance, drivable camera and vehicle platform.
    The Biscuit Jr.’s unique chassis and portable driver pod enables traveling photography from a greater range of camera positions than previously possible, while keeping actors safe and the rig out of frame.
    To Harold Milligan, Steven Krycho and Reiner Doetzkies for the implementation engineering in the development of the Texas Instruments DLP Cinema digital projection technology.
    Texas Instruments’ color-accurate, high-resolution, high-quality digital projection system has replaced most film-based projection systems in the theatrical environment.
    To Cary Phillips, Nicolas Popravka, Philip Peterson and Colette Mullenhoff for the architecture, development and creation of the artist-driven interface of the ILM Shape Sculpting System.
    This comprehensive system allows artists to quickly enhance and modify character animation and simulation performances. It has become a crucial part of ILM’s production workflow over the past decade.
    To Tim Cotter, Roger van der Laan, Ken Pearce and Greg LaSalle for the innovative design and development of the MOVA Facial Performance Capture system.
    The MOVA system provides a robust way to capture highly detailed, topologically consistent, animated meshes of a deforming object. This technology is fundamental to the facial pipeline at many visual effects companies. It allows artists to create character animation of extremely high quality.
    To Dan Piponi, Kim Libreri and George Borshukov for their pioneering work in the development of Universal Capture at ESC Entertainment.
    The Universal Capture system broke new ground in the creation of realistic human facial animation. This technology produced an animated, high-resolution, textured mesh driven by an actor’s performance.
    To Marco Revelant for the original concepts and artistic vision, and to Alasdair Coull and Shane Cooper for the original architectural and engineering design, of the Barbershop hair grooming system at Weta Digital.
    Barbershop’s unique architecture allows direct manipulation of full-density hair using an intuitive, interactive and procedural toolset, resulting in greatly enhanced productivity with finer-grained artistic control than is possible with other existing systems.
    To Michael Sechrest for the modeling design and implementation, Chris King for the real-time interactive engineering, and Greg Croft for the user interface design and implementation of SpeedTree Cinema.
    This software substantially improves an artist’s ability to create specifically designed trees and vegetation by combining a procedural building process with the flexibility of intuitive, direct manipulation of every detail.
    To Scott Peterson, Jeff Budsberg and Jonathan Gibbs for the design and implementation of the DreamWorks Animation Foliage System.
    This toolset has a hierarchical spline system, a core data format and an artist-driven modeling tool, which have been instrumental in creating art-directed vegetation in animated films for nearly two decades.
    To Erwin Coumans for the development of the Bullet physics library, and to Nafees Bin Zafar and Stephen Marshall for the separate development of two large-scale destruction simulation systems based on Bullet.
    These pioneering systems demonstrated that large numbers of constrained rigid bodies could be used to animate visually complex, believable destruction effects with minimal simulation time.
    To Brice Criswell and Ron Fedkiw for the development of the ILM PhysBAM Destruction System.
    This system incorporates innovative research on many algorithms that provide accurate methods for resolving contact, collision and stacking into a mature, robust and extensible production toolset. The PhysBAM Destruction System was one of the earliest toolsets capable of depicting large-scale destruction with a high degree of design control.
    To Ben Cole for the design of the Kali Destruction System, to Eric Parker for the development of the Digital Molecular Matter toolkit, and to James O’Brien for his influential research on the finite element methods that served as a foundation for these tools.
    The combined innovations in Kali and DMM provide artists with an intuitive, art-directable system for the creation of scalable and realistic fracture and deformation simulations. These tools established finite element methods as a new reference point for believable on-screen destruction.
    To Magnus Wrenninge for leading the design and development of Field3D.
    Field3D provides a flexible and open framework for storing and accessing voxel data efficiently. This allows interchange between previously incompatible modeling, simulation and rendering software.
    To Robert Bridson for early conceptualization of sparse-tiled voxel data structures and their application to modeling and simulation.
    Robert Bridson’s pioneering work on voxel data structures and its subsequent validation in fluid simulation tools have had a significant impact on the design of volumetric tools throughout the visual effects industry.
    To Ken Museth, Peter Cucka and Mihai Alden for the creation of OpenVDB.
    OpenVDB is a widely adopted, sparse hierarchical data structure that provides a fast and efficient mechanism for storing and manipulating voxels.

    SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES)
    To lain Neil for the optical design, and to Andre de Winter for the mechanical design, of the Leica Summilux-C series of lenses.
    Incorporating novel telecentric multi-element aspherical optics, these camera lenses have delivered unprecedented optical and mechanical performance.
    To Brad Walker, D. Scott Dewald, Bill Werner, Greg Pettitt and Frank Poradish for their contributions furthering the design and refinement of the Texas Instruments DLP Cinema projection technology, whose high level of performance enabled color-accurate digital intermediate preview and motion picture theatrical presentation.
    Working in conjunction with the film industry, Texas Instruments created a high-resolution, high-quality digital projection system that has replaced most film-based projection systems in the theatrical environment.
    To Ichiro Tsutsui, Masahiro Take, Mitsuyasu Tamura and Mitsuru Asano for the development of the Sony BVM-E Series Professional OLED Master Monitor.
    These precise, wide-gamut monitors allow creative image decisions to be made on set with confidence that the desired images can be accurately reproduced in post-production.
    To John Frederick, Bob Myers, Karl Rasche and Tom Lianza for the development of the HP DreamColor LP2480zx Professional Display.
    This cost-effective display offered a stable, wide color gamut, allowing facility-wide adoption in feature animation and visual effects studios.

    ACADEMY AWARD OF COMMENDATION (SPECIAL PLAQUE)
    To Steven Tiffen, Jeff Cohen and Michael Fecik for their pioneering work in developing dye-based filters that reduce IR contamination when neutral density filters are used with digital cameras.
    The Tiffen Company identified the problem and rapidly engineered a series of absorptive filters that ameliorated infrared artifacts with lenses of all focal lengths. These widely adopted filters allow cinematographers to work as they have done with film-based technology.

    ACADEMY AWARD OF MERIT (OSCAR STATUETTE)
    To Dr. Larry Hornbeck for the invention of digital micromirror technology as used in DLP Cinema projection.
    The Digital Micromirror Device (DMD) is the core technology that has enabled Texas Instruments’ DLP Cinema projection to become the standard of the motion picture industry.

    GORDON E. SAWYER AWARD (OSCAR STATUETTE)
    David W. Gray
    Given to an individual in the motion picture industry whose technological contributions have brought credit to the industry.

    Aquí, la foto de familia del año pasado, con los galardonados

    [IMG]http://www.sig**********/sites/default/files/86th-academy-awards-scientific-technical-recipients.jpg[/IMG]

  8. #8
    Senior Member Avatar de tomaszapa
    Fecha de ingreso
    10 ene, 06
    Ubicación
    Torremolinos
    Mensajes
    24,539
    Agradecido
    96299 veces

    Predeterminado Re: Oscars 2015

    Ya se está terminando de adecentar el salón donde se anunciarán las nominaciones de los Premios de la Academia, mañana jueves. Esto es de hace escasas 4 horas.


+ Responder tema

Etiquetas para este tema

Permisos de publicación

  • No puedes crear nuevos temas
  • No puedes responder temas
  • No puedes subir archivos adjuntos
  • No puedes editar tus mensajes
  •  
Powered by vBulletin® Version 4.2.1
Copyright © 2025 vBulletin Solutions, Inc. All rights reserved.
SEO by vBSEO
Image resizer by SevenSkins