Tema: Oscars 2019

Bette Midler ha anunciado en twitter que ella cantará el tema de Mary Poppins returns en la Gala de los Oscar. Es amiga desde hace décadas del compositor Marc Shaiman.

La cantante Kacey Musgraves, la gran vencedora de la última Gala de los Grammy, con 4 estatuillas, incluida Mejor álbum del año, también aparecerá en la ceremonia de los Oscar, seguramente entregando una de las categorías musicales



https://variety.com/2019/music/award...rs-1203141835/

Acaba de conocerse el último premio de la Cinema Audio Society. Bohemian Rhapsody se presume la favorita en los Oscar.

El palmarés, en el apartado de cine:

WINNER MOTION PICTURES - LIVE ACTION
Bohemian Rhapsody
Production Mixer – John Casali
Re-recording Mixer – Paul Massey
Re-recording Mixer – Tim Cavagin
Re-recording Mixer – Niv Adiri, CAS
ADR Mixer – Mike Tehrani
Foley Mixer – Glen Gathard
Foley Mixer – Jemma Riley Tolch

WINNER MOTION PICTURES - DOCUMENTARY
Free Solo
Production Mixer – Jim Hurst
Re-recording Mixer – Tom Fleischman, CAS
Re-recording Mixer – Ric Schnupp
Scoring Mixer – Tyson Lozensky
ADR Mixer – David BoultonFoley
Mixer – Joana Niza Braga

WINNER MOTION PICTURES - ANIMATED
Isle of Dogs
Original Dialogue Mixer – Darrin Moore
Re-recording Mixer – Christopher Scarabosio
Re-recording Mixer – Wayne LemmerScoring
Mixer – Xavier Forcioli
Scoring Mixer – Simon RhodesFoley
Mixer – Peter Persaud, CAS

Los ganadores, por Bohemian Rhapsody

El sindicato de guionistas ha entregado sus premios y ha habido sorpresas. Los Writers Guild of America Awards de este año son los siguientes:

ORIGINAL SCREENPLAY
“Eighth Grade,” Written by Bo Burnham; A24 (WINNER)

“Green Book,” Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures

“A Quiet Place,” Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures

“Roma,” Written by Alfonso Cuarón; Netflix

“Vice,” Written by Adam McKay; Annapurna Pictures



ADAPTED SCREENPLAY
“BlacKkKlansman,” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, Based on the book by Ron Stallworth; Focus Features

“Black Panther,” Written by Ryan Coogler & Joe Robert Cole, Based on the Marvel Comics by Stan Lee and Jack Kirby; Walt Disney Studios Motion Pictures

“Can You Ever Forgive Me?,” Screenplay by Nicole Holofcener and Jeff Whitty, Based on the book by Lee Israel; Fox Searchlight (WINNER)

“If Beale Street Could Talk,” Screenplay by Barry Jenkins, Based on the novel by James Baldwin; Annapurna Pictures

“A Star is Born,” Screenplay by Eric Roth and Bradley Cooper & Will Fetters, Based on the 1954 screenplay by Moss Hart and the 1976 screenplay by John Gregory Dunne & Joan Didion and Frank Pierson, Based on a story by William Wellman and Robert Carson; Warner Bros.

En los premios del gremio de montadores de sonido, los MPSE Golden Reel Awards, Bohemian Rhapsody lidera con dos galardones la ceremonia.


El palmarés es el siguiente:

Outstanding Achievement in Sound Editing – Effects / Foley
“A Quiet Place” (Paramount Pictures)
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl,MPSE
Sound Effects Editors: Brandon Jones, Justin M. Davey, MPSE
Foley Artists: Steve Baine, Peter Persaud
Foley Editor: Jonathan Klein

Outstanding Achievement in Sound Editing – Dialogue / ADR
“Bohemian Rhapsody” (GK Films / Fox Studios)
Supervising Sound Editor: John Warthurst
Supervising ADR / Dialogue Editor: Nina Hartston
ADR / Dialogue Jens Petersen

Outstanding Achievement in Sound Editing – Musical
“Bohemian Rhapsody” (Fox Studios)
Supervising Music Editor: John Warhurst
Music Editor: Neil Stemp

Outstanding Achievement in Sound Editing – Music Score
“Spider-Man: Into the Spider-Verse” (Sony Pictures Entertainment)
Music Editors: Katie Greathouse, Catherine Wilson

Outstanding Achievement in Sound Editing – Foreign Language Feature
“Roma” (Netflix)
Supervising Sound Editors: Sergio Díaz, Skip Lievsay
Sound Designers: Sergio Díaz, Skip Lievsa
Supervising Dialogue Editor: Carlos Honc Navarro
Supervising ADR Editors: Carlos Honc Navarro, Ruy Garc
Dialogue Editors: Manuel Montaño Mancilla, Caleb Townsend, Michael Feuser
ADR Editors: Michael Feuser, Alexa Zimmerma
Sound Effects Editors: Eric Dounce, Luis Huesca, Luis Parra, Mitch Osias, Craig Berkey, Javier Quesada
Foley Artists: Alan Romero, Jay Peck
Foley Editor: Jaime Sainz, Igor Nikolic

Outstanding Achievement in Sound Editing – Non-Theatrical Feature
“Extinction” (Good Universe / Universal Pictures)
Supervising Sound Editors: Will Files, P.K. Hooker
Supervising ADR Editor: Lisa J. Levine
Sound Effects Editors: Justin Davey, MPSE, Ken McGill
Dialogue Editors: Ryan Cole, Polly McKinnon
Foley Artist: Steve Baine
Music Editor: Brett Pierce, MPSE

Outstanding Achievement in Sound Editing – Feature Animation
“Spider-Man: Into the Spider-Verse” (Sony Pictures Entertainment / Marvel)
Supervising Sound Editors: Geoffrey Rubay, Curt Schulkey
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul, MPSE, David Werntz, Christopher Aud, MPSE, Ando Johnson, Benjamin Cook, MPSE, Mike Reagan, Donald Flick
Dialogue Editors: James Morioka, Matthew E. Taylor
Foley Artists: Gary Hecker, MPSE, Michael Broomberg, Rick Owens, MPSE
Foley Editor: Alec Rubay


Outstanding Achievement in Sound Editing – Feature Documentary (Tie)
“Free Solo” (National Geographic Documentary Films)
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Filipe Messeder, MPSE
Foley Artist: Nuno Bento
Foley Editor: Rolan Vajs
“They Shall Not Grow Old” (Wingnut Films / Fathom Events / Warner Brothers)
Supervising Sound Editors: Martin Kwok, Brent Burge, Melanie Graham, Justin Webster
Supervising Dialogue Editor: Emile De La Rey
ADR Supervisor: Nigel Stone
Sound Effects Editors: Hayden Collow, Dave Whitehead
Dialogue Editors: Matt Stutter, MPSE, Helen Luttrell, Chris Todd, Matthew Lamboum
Foley Artist: James Carroll
Foley Editors: Craig Tomlinson, Tom Scott-Toft

Los ganadores del premio a guión adaptado en los WGA Awards, Nicole Holofcener y Jeff Whitty, por Can you ever forgive me?



El premiado por el guión original, Bo Burnham, por Eighth grade (olvidada en los Oscar)

Mucha polemica con Bohemian, mucho rollo con lo de Singer, pero no deja de ganar premios.

no lo entiendo, no le afecta nada


y lo de los guionistas, parece que han ido a votar a las menos favoritas, solo para joder
es curioso lo que esta pasando con los premios de los sindicatos, ha ganado una peli distinta en cada uno de ellos..

PGA: "Green Book"
DGA: "Roma"
SAG: "Black Panther"
WGA: "Eighth Grade," "Can You Ever Forgive Me?"
ACE: "Bohemian Rhapsody," "The Favourite"
ASC: "Cold War"
...