Tema: Oscars 2024

Los editores de sonido (MPSE), que entregan los famosos Golden Reel desde hace 70 años, han anunciado sus nominacioines.
En cine son las siguientes:

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

“Barbie”
Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon
Warner Bros.
Supervising Dialogue / ADR Editor: Brian Bowles MPSE
Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse

“Killers of the Flower Moon”
AppleTV+
Supervising Sound Editors: Philip Stockton, Eugene Gearty
Dialogue Editors: Julia Stockton, Philip Stockton
ADR Editor: Marissa Littlefield

“Maestro”
Netflix
Supervising Sound Editors: Richard King, Rich Bologna
Supervising Dialogue / ADR Editor: Tony Martinez
Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg
Supervising Music Editor: Jason Ruder

“Napoleon”
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Supervising Dialogue Editor: Michael Maroussas
Dialogue Editor: Rachael Tate MPSE

“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Supervising Dialogue Editor: David Bach
Dialogue Editors: Russell Farmarco, Albert Gasser MPSE

“Poor Things”
Searchlight Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Dialogue Editors: Tristan Baylis MPSE, Peter Russell


Outstanding Achievement in Sound Editing – Feature Effects / Foley

“Gran Turismo”
Columbia Pictures
Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley
Sound Designer: Charles Deenen
Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE
Sound Designer: Tim Gedemer MPSE
Foley Artists: Gary Hecker MPSE, Mike Horton
Foley Editor: Jessica Parks

“Ferrari”
Neon
Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE
Sound Designer: David Wentz
Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE
Supervising Foley Editor: Beso Kacharava MPSE
Foley Artist: Biko Gogaladze
Foley Editors: Alexander Sanikidze, Rati Chkhetiani

“John Wick Chapter 4”
Lionsgate
Supervising Sound Editor: Paul Soucek MPSE
Sound Designers: Mark Stoeckinger, Luke Gibleon, Olivia Xiao’ou Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas
Sound Effects Editors: Casey Genton, Nicolas Interlandi

“Napoleon”
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Mike Fentum, Hugo Adams
Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson
Foley Artists: Oliver Ferris, Sue Harding

“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Sound Effects Editor: Michael Mitchell
Sound Designer: Randy Torres
Supervising Foley Editor: Christopher Flick
Foley Artists: Dan O’Connell, John Cucci MPSE

“The Killer”
Netflix
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathon Stevens, Malcolm Fife
Supervising Sound Editor: Jeremy Molod
Supervising Foley Editor: Thom Brennan
Foley Editor: Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE

Outstanding Achievement in Music Editing – Feature Motion Picture

“Barbie”
Warner Bros.
Supervising Music Editor: Suzana Perić
Music Editor: Mick Gormaley

“Creed III”
Amazon / MGM
Music Editor: Nicholas Fitzgerald

“Maestro”
Netflix
Supervising Music Editor: Jason Ruder
Music Editor: Victoria Ruggiero

“Oppenheimer”
Universal Pictures
Supervising Music Editor: Amanda Goodpaster
Music Editors: Felipe Pacheco, Alex Gibson

“Spider-Man: Across the Spider-Verse”
Sony Pictures
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott

“Wonka”
Warner Bros.
Supervising Music Editor: Katrina Schiller MPSE
Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab

Outstanding Achievement in Sound Editing – Feature Animation

“Elemental”
Disney / Pixar
Supervising Sound Editors: Ren Klyce, Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve Bissinger
Supervising Dialogue Editor: Rich Quinn
Dialogue Editor: Lisa Chino
Supervising Foley Editor: Dee Selby
Foley Editor: Nicolas Docter
Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE

“Migration”
Illumination
Supervising Sound Editors: Daniel Laurie, Josh Gold
Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
Supervising Foley Editor: Thom Brennan
Foley Editor: E. Larry Oatfield
Foley Artists: Sean England, Andrea Gard
Music Editor: Bill Bernstein

“Spider-Man: Across The Spider-Verse”
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
Supervising Dialogue Editor: James Morioka MPSE
Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
Foley Supervisor: Colin Lechner MPSE
Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott

“The Super Mario Bros Movie”
Universal Pictures
Supervising Sound Editor: Daniel Laurie
Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
Supervising Foley Editor: E. Larry Oatfield
Foley Editor: Zach Martin
Foley Artists: Ronni Brown, Jana Vance, Sean England

Outstanding Achievement in Sound Editing – Feature Documentary
“32 Sounds”
ArKtype
Supervising ADR Editor: Eliza Paley
Sound Designer: Mark Mangini MPSE
Sound Editor: Robert Kellough MPSE
ADR Editor: Mari Matsuo
Foley Artist: Joanna Fang MPSE

“American Symphony”
Higher Ground Productions
Supervising Sound Editor: Tristan Baylis MPSE, Tom Paul
Foley Artist: Leslie Bloome
Sound Effects Editors: Matt Snedecor, Mark Filip

“Mourning In Lod”
Medalia Productions
Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman
Sound Designer: Yossi Appelbaum

“Still: A Michael J. Fox Movie”
AppleTV+
Supervising Sound Editor: Skip Lievsay
Sound Effects Editor: Rich Bologna
Dialogue Editor: Michael Feuser
Foley Supervisor: Matt Haasch
Foley Editor: Heather Gross
Foley Artist: Jay Peck

“Taylor Swift: The Eras Tour”
Taylor Swift Productions
Sound Editor: Phil DeTolve
Music Supervisor: David Cook

Outstanding Achievement in Sound Editing – Foreign Language Feature

“Anatomy of a Fall”
Neon
Sound Editors: Fanny Martin, Jeanne Delplancq

“The Zone of Interest”
A24
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney
Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski

“Godzilla Minus One”
Robot Communications
Foley Artist: Natsuko Inoue

“Society of the Snow”
Netflix
Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró
Foley Artists: Erik Vidal, Kiku Vidal
Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
Sound Designer: Oriol Tarragó
Music Editor: John Finklea

La Crítica de Dakota del Norte se entrega a Oppenheimer, con hasta 9 premios

Best Picture: Oppenheimer

Best Director: Christopher Nolan, Oppenheimer

Best Actor: Cillian Murphy, Oppenheimer
Best Actress: Lily Gladstone, Killers of the Flower Moon
Best Supporting Actor: Robert Downey Jr., Oppenheimer
Best Supporting Actress: Da’Vine Joy Randolph, The Holdovers
Best Screenplay: Justine Triet and Arthur Harari, Anatomy of a Fall

Best Animated Feature: Spider-Man: Across the Spider-Verse
Best Documentary Feature: 20 Days in Mariupol
Best International Feature: Anatomy of a Fall
Best Cinematography: Hoyte van Hoytema, Oppenheimer
Best Film Editing: Jennifer Lame, Oppenheimer
Best Production Design: Sarah Greenwood and Katie Spencer, Barbie
Best Costume Design: Jacqueline Durran, Barbie
Best Makeup & Hairstyling: Barbie (Ivana Primorac)
Best Original Score: Ludwig Göransson, Oppenheimer
Best Original Song: ”What Was I Made For?” from Barbie (Billie Eilish, Finneas)
Best Sound: Oppenheimer (Richard King, Gary A. Rizzo, Kevin O’Connell, Willie Burton)
Best Visual Effects: Oppenheimer (Andrew Jackson, Giacomo Mineo, Scott R. Fisher, David Drzewiecki)

Cada año, la Universidad del Sur de California premia conjuntamente a guionistas y autores del material en que se basan esos guiones. Es lo que los convierte en especiales.

Este año, los nominados en cine para el USC Scripter award son:

• Cord Jefferson for “American Fiction” based on the novel “Erasure” by Percival Everett
• Eric Roth and Martin Scorsese for “Killers of the Flower Moon” based on the nonfiction book “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI” by David Grann
• Christopher Nolan for “Oppenheimer” based on the nonfiction book “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer” by Kai Bird and Martin J. Sherwin
• Ava DuVernay for “Origin” based on the nonfiction book “Caste: The Origins of Our Discontents” by Isabel Wilkerson
• Screenwriter Tony McNamara and novelist Alasdair Gray for “Poor Things”

La Crítica de Iowa se queda con The holdovers

Best Picture: The Holdovers (Runner-up: Oppenheimer)

Best Director (tie): Christopher Nolan, Oppenheimer and Alexander Payne, The Holdovers

Best Actor: Paul Giamatti, The Holdovers (Runner-up: Cillian Murphy, Oppenheimer)
Best Actress (tie): Lily Gladstone, Killers of the Flower Moon and Emma Stone, Poor Things
Best Supporting Actor: Robert Downey Jr., Oppenheimer (Runner-up: Ryan Gosling, Barbie)
Best Supporting Actress: Da’Vine Joy Randolph, The Holdovers (Runner-up: none)
Best Song: “I’m Just Ken” from Barbie (Runners-up: “Road to Freedom” from Rustin and “What Was I Made For?” from Barbie)

Los Black Reel Awards ya tienen nombre de ganadores este año.
Se lo reparten entre American Fiction y The color purple

Outstanding Film: American Fiction

Outstanding Director: Cord Jefferson, American Fiction
Outstanding Lead Performance: Jeffrey Wright, American Fiction
Outstanding Supporting Performance: Danielle Brooks, The Color Purple

Outstanding Screenplay: Cord Jefferson, American Fiction
Outstanding Documentary: Little Richard: I Am Everything
Outstanding International Film: Rye Lane
Outstanding Independent Film: A Thousand and One
Outstanding Short Film: Black Girls Play: The Story of Hand Games
Outstanding Ensemble: The Color Purple

Outstanding Voice Performance: Shameik Moore, Spider-Man: Across the Spider-Verse
Outstanding Emerging Director: Cord Jefferson, American Fiction
Outstanding Breakthrough Performance: Fantasia Barrino, The Color Purple
Outstanding First Screenplay: Cord Jefferson, American Fiction
Outstanding Cinematography: Jomo Fray, All Dirt Roads Taste of Salt
Outstanding Editing: Michael Andrews, Spider-Man: Across the Spider-Verse
Outstanding Production Design: Paul D. Austerberry, The Color Purple
Outstanding Costume Design: Francine Jamison-Tanchuck, The Color Purple
Outstanding Hairstyling & Makeup: Lawrence Davis and Carol Rasheed, The Color Purple
Outstanding Score: Kris Bowers, The Color Purple
Outstanding Original Song: “Keep It Movin’” from The Color Purple
Outstanding Soundtrack: The Color Purple

Special awards
Diahann Carroll Icon Award: Shonda Rhimes
Oscar Micheaux Memorial Award: Ruth E. Carter
Ruby Dee Humanitarian Award: Sheryl Lee Ralph
Sidney Poitier Trailblazer Award: Samuel L. Jackson
Chadwick Boseman Vanguard Award: Colman Domingo

Mañana se anunciarán las nominaciones a los BAFTA. Si alguien quiere seguirlas en directo (a partir de las 13:00, hora española), aquí tiene el enlace:

link de YouTube para ver el anuncio de las nominaciones de los Oscars, a partir de las 14:30