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Re: Remain (M. Night Shyamalan, 2027)
¿Fue en el concierto de Cracovia ayer?
No puedo encontrar nada en ningún sitio. Ojalá sea cierto y se anuncie oficialmente pronto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Puede ser totalmente y ojalá que sea ciertoIniciado por Branagh/Doyle
Última edición por PrimeCallahan; 15/05/2026 a las 10:26
Re: Remain (M. Night Shyamalan, 2027)
Entiendo que si no enlazas a ningun sitio es que no está publicado y te lo han dicho por privado. Seguro que han sido los alemanes de soundtrackboard, hay mucha gente de la industria por allí.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Prime, mis fuentes británicasme dicen que efectivamente JNH contó ayer en Polonia que se reunirá con Shyamalan en Remain. Al parecer, el compositor también hizo spoilers leves de la trama.
Madre mia, esto es tremendo. Cuanto hace de After Earth, ¿13 años?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Si se confirma, maravillosa noticia. Nunca debieron separarse, eran una dupla perfecta, como Spielberg/Williams, Burton/Elfman, Lynch/Badalamenti o Hitchcock/Herrmann.
Re: Remain (M. Night Shyamalan, 2027)
Completamente de acuerdo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Esto parece una novela de Le CarréPrime, mis fuentes británicas
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Remain (M. Night Shyamalan, 2027)
Me meo.Esto parece una novela de Le Carré
Saludos
Un conocido que estuvo en el concierto y es de Bristol.
Como ves, nada glamuroso.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Pues ya estaria. Es oficial (o como si lo fuera). Efectivamente JNH lo anunció anoche durante el concierto que dio en Cracovia.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Grabó el score completo hace un mes. Vamos, que se ha compuesto en secreto y ni nos hemos enterado.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Bueno, los espías de Le Carré de glamurosos tienen pocoMe meo.
Un conocido que estuvo en el concierto y es de Bristol.
Como ves, nada glamuroso.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Remain (M. Night Shyamalan, 2027)
También es verdad.Bueno, los espías de Le Carré de glamurosos tienen poco
Saludos
¿Estás emocionado, Tripley? Vaya noticia.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Pues sí, me emociona que Newton Howard y Shyamalan vuelvan a colaborar.También es verdad.
¿Estás emocionado, Tripley? Vaya noticia.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Remain (M. Night Shyamalan, 2027)
Por aquí la noticia en Film Music Reporter:
https://filmmusicreporter.com/2026/0...malans-remain/
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Remain (M. Night Shyamalan, 2027)
Mil gracias, entonces ya si que es oficial del todo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Tripley: Rodada en Vistavision. Fotografiada por el increible Adolpho Veloso (¿has visto Train Dreams?). Y encima, con música de James Newton Howard.
Y, ojo, que está siendo la película más valorada de Shyamalan a nivel preliminar.
A ver si vamos a estar ante algo muy serio.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Y te has dejado que Nicholas Sparks anda también por ahí, lo cual le dará una pátina cuanto menos de exotismo al proyecto.
Re: Remain (M. Night Shyamalan, 2027)
Cierto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
No, no la he visto.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Remain (M. Night Shyamalan, 2027)
Pues te recomiendo que la veas cuando puedas, la fotografía es impresionante.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Una de las mejores películas del año pasado. Muy cercana a Terence Malick, pero sin las pretensiones de éste.
Re: Remain (M. Night Shyamalan, 2027)
Borrado.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Remain (M. Night Shyamalan, 2027)
Sí, a ver si la veo. Al final eso de que esté en Netflix y la pueda ver cuando quiera hace que, paradójicamente, me cueste más ponerme la película.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
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