Tema: Sin tiempo para morir (No Time to Die, 2021, Cary Joji Fukunaga)

Última edición por Branagh/Doyle; 01/10/2021 a las 22:16 Razón: Me confundí

What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.