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Re: Star Wars
Ah, ok. Pero tu lo guardas ya. Voy.Iniciado por Synch
Soy muy ordenado (un TOC con patas). En orden!
SÍ, pero voy a estar un tiempo con la primera
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Claro!
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: Star Wars
¡Enviada!
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Yeah!!
Muchas gracias!
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: Star Wars
Borrado.
Última edición por Branagh/Doyle; 19/12/2017 a las 13:46
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Borrado.
Última edición por Branagh/Doyle; 19/12/2017 a las 13:46
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Empire has no micromanagement from Lucas whatsoever, he barely had any influence over it.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Branagh/Doyle... para esas cosas, usa los privados. Esto es el foro, esta a la vista de todos, pero interesa solo a uno.
Re: Star Wars
Que engañada vive la gente con Lucas , esos comentarios me recuerda a los programas de canal historia donde se teoriza y se da por verídico que el ser humano a evolucionado gracias a "LA AYUDA" de seres superiores allende otras galaxias restándole el merito de sus creaciones , que chavalada !Empire has no micromanagement from Lucas whatsoever, he barely had any influence over it.
Spoiler:
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
Re: Star Wars
Muy cierto. Mil disculpas, procedo a editar.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
¿Las piramides?Que engañada vive la gente con Lucas , esos comentarios me recuerda a los programas de canal historia donde se teoriza y se da por verídico que el ser humano a evolucionado gracias a "LA AYUDA" de seres superiores allende otras galaxias restándole el merito de sus creaciones , que chavalada !
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
BruceTimm; dos cositas musicales. ¿Te diste cuenta que en el Ep IV, cuando Luke se para antes de saltar y le da un beso a Leia, se escucha un crescendo heroico-romántico?. Casi cómo las pelis de Errol Flynn cuando salva a la dama. O al menos así lo describía Williams.
El final festivalero de TPM, con el tema marchoso con coros de niños, es en realidad el tema del emperador del retorno del jedi, en clave desenfadada.
Menudo par de trolls. El y Lucas.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
:
Exacto sólo algo fuera de este mundo crearía tales construciones ....y algo tan maravilloso como a Natalie portman¿Las piramides?
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
Re: Star Wars
¿Cuántos discos tiene la BSO de Los Últimos Jedi? ¿Ha salido en Cassette como la de El Despertar de la Fuerza?
Mira que sacan bandas sonoras incompletas con tal de que quepan en 1 CD, como las de las precuelas.
Re: Star Wars
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
Re: Star Wars
Críticas negativas sobre El Imperio contraataca en 1980. Atención a partir del minuto 1:45 en adelante.
Re: Star Wars
Ya ves. Para mi la mejor de todas. La #1.
Re: Star Wars
Synch, ya sabes.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Star Wars
Como le achacaban aquello 'jamas una pelicula debe acabar con un cliffhanger'
Críticas negativas sobre El Imperio contraataca en 1980. Atención a partir del minuto 1:45 en adelante.
Re: Star Wars
Oh, perdona! Acabo de verlo! Ahora mismo complicado pero comento a ver si mañana o lunes! Deberían ser buenos días para escuchar, aprender y comentar pero es complicado.
Synch, ya sabes.
Mi apuntes musical en el coche: de nuevo Dream Theater. No ha nada más navideño que John Petrucci
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: Star Wars
"Dejé morir a mi padre porque confiaba en él"
Re: Star Wars
Unos tipos están recreando la pelea Obi-Wan vs Vader de Ep.IV con una coreografía más energética.
Sufro de un deplorable exceso de personalidad. :(
METAL GEAR LIQUID - A NOVEL BASED ON A HIDEO KOJIMA GAME---[Ver más]
Re: Star Wars
Hoy estaba viendo TPM y me preguntaba por qué después de presentarnos por primera vez la velocidad como un arma jedi, no la usa Obi Wan para llegar hasta Qui Gon cuando éste lucha contra Maul, y permite que su maestro luche solo y muera. Hoy en día lo criticarían unos cuantos por aquí... o igual no, quien sabe.
Re: Star Wars
Sufro de un deplorable exceso de personalidad. :(
METAL GEAR LIQUID - A NOVEL BASED ON A HIDEO KOJIMA GAME---[Ver más]
Re: Star Wars
La siguiente generación debería aprender a frenar con la fuerza
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