Estoy más cabreao que un mono por lo de Hans Zimmer😡
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Estoy más cabreao que un mono por lo de Hans Zimmer😡
Hombre, Göransson es un talentazo, a mi juicio...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Tampoco trabaja con su montador habitual desde Begins (2005), parece que quiere hacer algo diferente visual y musicalmente hablando.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Última edición por Tripley; 24/05/2019 a las 00:37
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ya que se nombra, espero que para Dune vuelva el Zimmer de Inception.
Con BR 2049 salvó los platos pero no me terminó de convencer. ¿Se sabe si Jóhannsson llegó a grabarla completa?
Sería muy interesante escuchar su versión.
Sobre Göransson (parece que estan de moda los escandinavos...) he visto dos de sus películas y no recuerdo para nada la banda sonora, cosa que no es buena señal...
Última edición por Mandaraka; 28/06/2019 a las 14:42
"La tolerancia llegará a tal nivel que las personas inteligentes tendrán prohibido pensar para no ofender a los imbéciles"
Fiódor Dostoyevski
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
En la ficha de IMDb del film se puede ver este poster:
https://www.imdb.com/title/tt6723592/
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"