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Re: Nueva pelicula Nolan (2020)
Uf... Qué temazo, qué BSO!!! Coincido en lo de Badalamenti en la instrumentación pero aquí Julyan sabe darle ese toque trágico de la propia existencia de Leonard.Iniciado por Fincher
De hecho el film termina con uno de esos momentos cuando conduce el Jaguar y, de nuevo, ha olvidado todo y vuelta a empezar.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: Nueva pelicula Nolan (2020)
Inception te tiene que molar también, Synch, con los sintes a tope y la guitarra de Johnny Marr...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Nueva pelicula Nolan (2020)
Ese Time es monstruoso y BSO personal de verano de 2010. Ahí lo dejoInception te tiene que molar también, Synch, con los sintes a tope y la guitarra de Johnny Marr...
Curiosamente, el tema central de Interstellar me funciona más aparte. Lo contrario que con el resto de temas.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: Nueva pelicula Nolan (2020)
Toda Inception es TOP de Zimmer, con ese aire onírico/minimalista. De lo mejor de su carrera. Justa nominación al Oscar. Pero es que además la música tiene una importancia tremenda en la peli.Ese Time es monstruoso y BSO personal de verano de 2010. Ahí lo dejo
Curiosamente, el tema central de Interstellar me funciona más aparte. Lo contrario que con el resto de temas.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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