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Re: The Batman (Matt Reeves, 2019)
Iniciado por BruceTimm
De Gadot se rajó lo más grande en todos lados... empezando por este foro. Y luego...
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: The Batman (Matt Reeves, 2019)
Y de Hattaway como Catwoman
Última edición por david227; 21/05/2019 a las 16:03
Re: The Batman (Matt Reeves, 2019)
¡Cierto!
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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