https://www.rataalada.com/
Hay una nueva cuenta atrás... Que será?
https://www.rataalada.com/
Hay una nueva cuenta atrás... Que será?
Muchos más de los que me esperaba se quedaron ayer, en mi sesión, para ver todos los créditos y esa sorpresa final. Si todo va bien en taquilla, que le irá bien, está segura una futura secuela, si WB le da luz verde.
Lo de meter esa canción de Nirvana dos veces ha estado muy bien.
Mierda, no pude quedarme hasta el final
¿Alguien puede decirme en spoiler lo que sale...y se intuye?
Última edición por javi_gala; 06/03/2022 a las 10:43
Ponlo en spoiler, javigala. Por si acaso.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Finalmente la salida en Nortamérica fue más fuerte de lo aproximado ayer. No son 128M sino unos 134M
Eso con un multi de 2.5 nos dejaría en unos 335M finales. A ver si ese multi es alguna décima mayor y se va más arriba.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)