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Re: The Batman (Matt Reeves, 2022)
Entrevista de Variety con el director de fotografía Greig Fraser sobre su trabajo en The Batman, que supone su segunda colaboración con Matt Reeves tras Déjame Entrar (2010). Hay spoilers, ojo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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