Ojo:
Claire Foy volverá a 'The Crown' en la temporada 4 de la serie de Netflix
Al parecer habrá flashbacks más o menos largos y frecuentes.
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Ojo:
Claire Foy volverá a 'The Crown' en la temporada 4 de la serie de Netflix
Al parecer habrá flashbacks más o menos largos y frecuentes.
![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Coleman está impresionante, pero la Carter (aprovecho para reivindicarla siempre que puedo), da un recital cada vez que sale, ¿eh?
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Última edición por Tripley; 12/08/2020 a las 23:36
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Los 2 últimos capítulos más culebronescos e inferiores al resto pero la temporada 3 de The Crown ha sido brillante, con menos protagonismo de la reina, cediéndoselo a otros personajes para historias cerradas. El tramo 3x03-3x07 es para enmarcar. De las mejores series del año.
https://twitter.com/TheRealDocJota
Parece que han rodado en Almería secuencias de la cuarta temporada con una joven princesa Diana, datadas aproximadamente en 1983.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Por cierto Tripley, al final de la temporada han aparecido dos actores clásicos de las tablas británicas, Derek Jacobi y Michael Maloney. Ambos tienen una larga y laureada trayectoria teatral y aparecieron en Enrique V de Branagh ( donde Jacobi interpretó al Coro y Maloney al impetuoso Delfín francés), y en su Hamlet (donde Jacobi interpretó a Claudio y Maloney a Laertes)
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Normans, nothing more than bastard Normans, Norman bastards!
Mort de ma vie, if they march along
Unfought withal, but I will sell my dukedom
To buy a slobb'ry and a dirty farm
In that nook-shotten isle of Albion
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"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ya hay actores confirmados para ser Guillermo de Cambridge y Kate Middleton en la 6° temporada
https://www.hobbyconsolas.com/notici...AHQCB#cxrecs_s
Imagen de los intérpretes:
https://deadline.com/2022/09/the-cro...ng-1235106198/
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Fuente: https://twitter.com/jordi_niro/statu...1dTAr4aeRydChg
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"