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Corazonada (One From The Heart, 1982, Francis Ford Coppola)
Re: Once From The Heart (Francis Ford Coppola, 1982).
Maldición, he cometido una errata en el título del post. ¿Algún moderador sería tan amable de corregirlo, por favor?. Gracias.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Edita el mensaje principal y edita el título del post.Iniciado por Branagh/Doyle
Re: Once From The Heart (Francis Ford Coppola, 1982).
Si le doy a editar el mensaje principal me sigue sin dejar cambiar el título del hilo, solo puedo modificar el contenido del primer mensaje.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Once From The Heart (Francis Ford Coppola, 1982).
La edición lleva unos meses en el mercado en Europa de mano de StudioCanal. Supongo que será la misma que saca ahora Lionsgate en USA
https://www.amazon.es/One-Heart-Repr...s%2C106&sr=8-1
https://www.amazon.es/One-Heart-Repr...s%2C106&sr=8-2
Re: Once From The Heart (Francis Ford Coppola, 1982).
Anda, no tenía la menor idea. Mil gracias, compañero. ¿Posibilidades de que veamos algo por aquí (con castellano, digo)?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Divisa está apostando fuerte por el 4K y nos está trayendo bastantes cosas de StudioCanal. Podría ser una opción, pero no tengo ninguna información al respecto.
Última edición por javibl; 04/05/2024 a las 10:49
Re: Once From The Heart (Francis Ford Coppola, 1982).
¡Maravilloso!
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Después de darle a editar ve a avanzado.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Y de paso pon también el título en castellano.
Re: Once From The Heart (Francis Ford Coppola, 1982).
¡Muchas gracias, jmac!. Ahora mismo lo cambio y pongo el título en castellano, que se me ha olvidado.
Pero ya que lo dices, es que llegar a Corazonada desde One From the Heart tiene perejiles, no me digas que no. En este caso una traducción literal hubiese quedado preciosa, ¿no crees?.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: One From The Heart (Corazonada, Francis Ford Coppola, 1982).
Hecho, jmac. De nuevo, gracias por la ayuda.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Te respondo en seis palabras.¡Muchas gracias, jmac!. Ahora mismo lo cambio y pongo el título en castellano, que se me ha olvidado.
Pero ya que lo dices, es que llegar a Corazonada desde One From the Heart tiene perejiles, no me digas que no. En este caso una traducción literal hubiese quedado preciosa, ¿no crees?.
Con faldas y a lo loco.
Re: Once From The Heart (Francis Ford Coppola, 1982).
Duplicado por culpa del foro, que va con carro y mula últimamente.
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