Hasta ellos mismo lo admiten, tanto el colorista en el documental, como el archivista de 2022 JM en una entrevista. Incluso admite que se empujó al propio Coppola a que asumiera y aceptará los cambios estéticos.

JM: I think always Francis is of the mind to have one foot in the past with the fan base that he knows that support this film over the last 50 years. But we also have to ride the fact that this is a 50-year-old film and library films [are] a very challenging thing to find new audiences. And Francis is very much aware of that. And that’s why he always likes to explore new technology and new ways to present his films. And this is a new presentation for him. He wanted to explore HDR. And we had success with Apocalypse Now and his other films in HDR, and a new audience expects a different look. So I think it’s still respectful to where we’ve come, but also we push it a little bit in a new direction hopefully can bridge the gap between young and old."

https://www.avclub.com/the-godfather...iew-1848668926

Después lees que esto es igual a lo que se vio en cines o que se asemeja más al aspecto original que los bluray de 2008 cuyo concepto base era el ser fieles a la intención original…y es que te tienes que reír, porque están llevando la contraría incluso al propio equipo de restauración 2022 que en diversos medios asume que el producto es esencialmente revisionista.