Como siempre a tu bola.
Declaraciones del director de fotografía (lo puse en la página anterior):
We wanted the first period in the story to feel emotionally raw,” he continues, “so we covered those scenes in Super 16mm [2.39:1] — and for wider shots we changed to 2-perf 35mm. We found that the Super 16mm 7219, when processed normally but rated at 250 ASA, gave us the right texture for the period as well as for the intimacy of the scenes inside the spacecraft. But the exteriors of the spacecraft called for more detail, so we shot those in 2-perf 35mm with 5219 pushed one stop.” Camtec confirms that all of the [35mm] cameras — 2-perf, 3-perf and 4-perf — were centered for Super 35 gates.
Sobre todo en la parte inicial (y no sólo en imágenes de archivo) hay parte rodada en 16mm.