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El que quiera enriquecerse y deleitarse con la PRE Review de un tío que sabe muy bien de lo que habla, le sugiero que lea esto y de paso comprenderá porque muchos la ven mal, que esa es otra:

.Had to get a taste of this early (use your imaginations) and while I won't comment on sharpness or compression until I can spin the actual disc consider this an unofficial "review" of the HDR10 version as Geoffy sees it on his ZD9.

Black levels are nothing of the sort, which is fully in-keeping with the theatrical presentation (regular 2K digital, nothing fancy) that I saw. Space is grey and many scenes take place in a low-level kind of murk that will be MURDER to reproduce via tone mapping that isn't up to the job because it will wreck the APL. Not that the best mapping in the world on a 10K-nit TV will make this movie look like the eye candy that most people want (mastering display metadata reads as 1000 max/0.0001 min), but it'll at least get it looking as close to what was intended as possible. DP Bradford Young heavily diffused the WWI-style warfare scenes with loads of smoke for example, fogging it up so that the backing in the studio couldn't be seen and so that the scenes emitted a "grey glow", in his words from AC July '18.

What surprised me is how zingy the brightest specular highlights are though, not skies because they tie into the overall low brightness look (Young deliberately choosing not to set the two big chase scenes (opening speeder ride and the train heist) in direct sunlight because he didn't want to have to fake such strong light in the studio) but for stuff like laser blasts, sparks, explosions/flames, even the lights in the Falcon's cockpit, there's a real sense of true HDR dynamism to those light sources. And no, it's not just because the rest is so dim that that stuff stands out, otherwise Last Jedi would've looked the same but it doesn't, the brighter light sources are just as subdued as the rest of the movie in that case. But here those little bursts of light really help to add a bit of contrast that the movie's otherwise missing. Even the first big Sabacc game between Han and Lando features a giant yellow lamp overhead.

When they get to Savereen then the overall brightness picks up although the film still doesn't express itself with a lot of colour at this juncture, the colourist noting that they went for a "dirty, almost skip-bleach [i.e. desaturated] style...with very few primary colours" throughout the film. There are a few flourishes, like Qi'ra's red cape or the foreboding Maw in the Maelstrom, but mostly they stay true to the intended aesthetic. Young approached this film with his innate indie aesthetic in mind, seeking to "accept darkness as a point of expression versus a deficit" and the UHD pays full respect to that view whilst adding some very finely controlled HDR niceties.

I'll add more about the sharpness, lenses and whatnot to bore you all even more when I get the disc proper, as well as doing my usual comparisons with the 1080p SDR disc, but that'll do for now.

Yo es que a quién leo es a gente así, como este señor, porque leyéndole no solo te enriqueces, aprendes! A mi el que dice. "Esto es una basura porque lo digo yo y porque lo veo rancio, oscuro y no hay más que hablar", no me está diciendo nada, solo me dice que no le gusta vete a saber la razón...y eso es tanto como no decirme nada.
Hombre, no es por llevarte la contraria, pero ese comentario lo has pegado ahí, has dicho que es de alguien "que sabe de lo que habla" y te has quedado tan ancho... En Internet habla todo el mundo y sabe todo el mundo (obviamente unos más que otros), y lo más lógico sería que indicases o referenciases de quién y de dónde has sacado esa "review"; no digo que no sea de un experto y que no tenga toda la razón, pero siempre está bien indicar las fuentes, y que cada cual analice, compare y concluya lo que crea conveniente... En el 90% de los casos el "que sabe" y al que hay que "hacer caso" es aquel que comparte nuestro punto de vista...