5 de abril en USA.
Fuente: https://twitter.com/TheDiscFather/st...919620/photo/1
5 de abril en USA.
Fuente: https://twitter.com/TheDiscFather/st...919620/photo/1
Aquí no va salir, como era de esperar. Pero la edición UK llevará español latino en el 4k y castellano en el BD. Puede ser una buena opción para los interesados. Fecha 13 de abril.
https://m.media-amazon.com/images/I/...AC_SL1500_.jpg
Efectivamente, es una buena opción. Me pillaré la de UK y así me ahorro tener que comprar el BR patrio y el UHD americano.
Pues es una pena que no lo saquen en 4K, la anterior del Orient Express la tengo, pero bueno, la adquiriré en BR si no hay otra cosa
Pues valla faena que no salga en España en 4k
Reseña de Robert Harris:
There once was a British novelist, who created some of the finest detective mysteries this side of Sir Arthur Conan Doyle.
Her name was Christie – Dame Agatha to many – and her tomes have been brought to the great silver screen again and again. Some productions not so great, others something special.
This is one of the special ones.
Directed (and produced) by one Kenneth Branagh, who happens to be one of my favorite filmmakers, regardless of what hat he’s wearing.
Here, he both directs and stars, along with a selection of wonderful other thespians, many of whom you may recognize from other works.
Here’s the interesting thing, especially as Fox (Disney) is releasing this in 4k.
It wasn’t shot digitally. It was photographed on something called fillum, on a size a bit larger than the norm. Specifically, it’s called 65mm. Why the prints are 70mm I’ve never been able to figure out, but they are.
In this situation, the post was completed as a 4k DCP, which means that this is going to look pretty good in comparisons to some films shot at lesser resolutions.
I saw Death on the Nile on a large screen back in February, in 4k, and with Dolby Atmos, and I was amazed by the quality of the sound and imagery.
And one other thing.
It’s a terrific film. Great story, with wonderful acting and a top cinematographer, Harris Zambarloukos, who knows his way around large format. He also shot Murder on the Orient Express way back in 2017, as well as some other Branagh projects…
Belfast, Artemis Fowl, Cinderella, Jack Ryan: Shadow Recruit (did you know Branagh did that one?), as well as Thor and Sleuth. He was second unit on a film called Batman Begins.
In any case, this is a gorgeous piece of entertainment, and the new 4k magnificently renders it to 4k UHD, so that you can run it privately and unmasked, in your own home. Highly resolved, wonderful color, black blacks.
The track, which is Dolby Atmos, is full, crisp, and encompassing.
A great production, now on 4k.
And for those who like Marvel films, it’s got Gal Godot, who was once in one, in a major role. Fans of French and Saunders can have a good time too.
Image – 5 (Dolby Vision)
Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Plays nicely with projectors – Yes
Makes use of and works well in 4k – 5
Highly Recommended
RAH
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo creo que es disco. Si es Harris el que opina será disco.
El mismo en otras ocasiones ha matizado que sobre el streaming no se puede valorar la calidad de la película.
IMAGEN: Samsung OLED 77S93C (sí, sin Dolby Vision), Panasonic OLED 65HZ1000 y Reproductores UltraHD Panasonic UB9000 y Sony X700.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Entonces fijo cogio una plantilla y se olvido de actualizarla
" Quod in hac vita facimus, vocem aeternitate habet"
Ayer fui a pillarla en ECI que estaba de paseo y vi que efectivamente no está en UHD y, por lo que leo aquí, ni se le espera... me resulta curioso que haya películas que no salgan en UHD cuando sus predecesoras lo hicieron... La de Asesinato en el Orient Express sin ir mas lejos la tengo en UHD, pillar esta en BD ahora es una jodienda... y con Múltiple pasó lo mismo, que la tengo en UHD y la siguiente solo salió en BD... curioso. Imagino que han reculado viendo que el mercado en España no está para sacar UHDs salvo que sea un "blockbuster" seguro.
Solo se que no se nada... o ni eso X-D
La explicación es mucho mas sencilla que el "han reculado".
La anterior la distribuyó Fox que si editaba UHD y esta la distribuye Disney (ya con la compra de Fox realizada) y Disney por el momento en España solo edita Marvel y algun titulo de catálogo (dos para ser mas exactos).
Con Multiple y Glass pues lo mismo. Multiple es de Universal y Glass de Disney.