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Fueron filmadas en 1.66:1, el llamado panorámico europeo, que es como se editaron en Blu-ray. También es cierto que en EEUU se proyectaban en 1.85:1, y puede que en 1.75:1 en Reino Unido, pero el encuadre completo es 1.66:1.
Nope!

Dr. No was shot by cinematographer Ted Moore (A Man for All Seasons, Goldfinger, Clash of the Titans) on 35 mm film (specifically Eastman 50T 5250) using Mitchell BNC cameras with spherical lenses. It was finished photochemically with an intended aspect ratio of 1.75:1, though it was exhibited theatrically in the UK framed at 1.66 and in the US at 1.85.
From Russia with Love was shot once again by cinematographer Ted Moore (A Man for All Seasons, Goldfinger, Clash of the Titans) on 35 mm film (specifically Eastman 50T 5251) using Mitchell BNC cameras with spherical lenses. It was finished photochemically with an intended aspect ratio of 1.75:1, though it was exhibited theatrically in the UK framed at 1.66 and in the US at 1.85.
Like Dr. No and From Russia with Love before it, Goldfinger was also shot on 35 mm film (Eastman 50T 5251 to be specific) by cinematographer Ted Moore using Mitchell BNC cameras with spherical lenses. It was finished photochemically with an intended aspect ratio of 1.75:1, though it was exhibited theatrically in the UK framed at 1.66 and in the US at 1.85.