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Re: Venecia 2025
Una gran selección. Me interesan sobremanera las pelis de Assayas, Del Toro, Fastvold y Sorrentino.
Veremos qué tal
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Re: Venecia 2025
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Venecia 2025
Poster oficial de Megadoc de Mike Figgis. La duración será de 107 minutos.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Venecia 2025
Megadoc de Mike Figgis tendrá su premier mundial en el Festival de Venecia el próximo 28 de Agosto.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Venecia 2025
Trailer de EL EXTRANJERO, de Ozon
Re: Venecia 2025
Brando hoy me quieres provocar un síndrome de Stendhal a base de trailers maravillosos. Primero Hamnet y ahora esta otra maravilla en blanco y negro.
Me parece tan bueno que me tomo la libertad de crear un hilo propio a la película (Ozon se lo merece)
https://www.mundodvd.com/letranger-t...3/#post4944301
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Venecia 2025
Coppola le ha entregado a Herzog el León de Oro honorífico durante la ceremonia de apertura del festival.
Última edición por Branagh/Doyle; 28/08/2025 a las 13:49 Razón: Errata
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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