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About LinkBacksA mí también me ha recordado a DelerueIniciado por cabinessence
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¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.
Re: Bandas sonoras
A mí también me ha recordado a Delerue
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
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CLAUDIO: "Lady, as you are mine, I am yours"
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EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Bandas sonoras
Última edición por Branagh/Doyle; 03/06/2026 a las 20:44
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
IT BLOWS MY MIND A WHEELCHAIR-BOUND 94-YEAR-OLD CAN STILL WRITE MUSIC THAT SPURS MY EMOTIONS AND IMAGINATION!!!!!!!!!
I DONT’T GIVE A SHIT ABOUT “MUH MEMORABLE THEMES” OR HOW IT DOESN’T SOUND LIKE “THE OLD STUFF”, CRITIQUES THAT REVEAL MORE ABOUT THE ATTENTION SPAN OF THE LISTENER THAN THE QUALITY OF THE MUSIC!!!!!!!
THIS SHIT FUCKING RIPS!!!!!!!
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Bandas sonoras
John Williams cruzando el arco de emociones.
Ya no solo desde la dramaturgia y el sense of wonder, pasando por el misterio (las citas de JFK y Revenge of the Sith -¡¡¡¡MUNICH!!!!-) hasta el toque magico spielberiano dentro del plantel musical.
Es gozoso, ver a un tipo de 94 años demostrando que SABE lo que hace.
Re: Bandas sonoras
En silla de ruedas y post derrame cerebral. Es acojonante.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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