Tema: Breakdown (Jonathan Mostow, 1997)

EEUU. Nada de español. En septiembre.

Juraría haber abierto un post con la edición australiana hace 1 año pero no lo encuentro...



Special Features and Technical Specs:
NEW 4K REMASTER APPROVED BY DIRECTOR JONATHAN MOSTOW
NEW Audio Commentary By Director Jonathan Mostow and Kurt Russell
NEW Filmmaker Focus: Director Jonathan Mostow on Breakdown
NEW Victory Is Hers - Kathleen Quinlan on Breakdown
NEW A Brilliant Partnership - Martha De Laurentiis on Breakdown
NEW Alternate Opening
NEW Alternate Opening With Commentary By Director Jonathan Mostow
NEW Isolated Score
Theatrical Trailers
Collectible packaging featuring a foldout image of the film's theatrical poster and an interior spread with key movie moments
Optional English SDH subtitles for the main feature

Esta tanda de reediciones de "Paramount presents" con presentación maja y extras está muy bien, ya podrían editarlas tal cual por aquí añadiendo subtítulos que creo que de momento de las que hay editadas ninguna lleva nada de español.

Breakdown es un título muy a reivindicar y una peli que siempre disfruto mucho, si no se anuncia edición por aquí pronto creo que me tiraré a por esta. Por lo visto la edición australiana traía extras diferentes, pero no sé qué tal presentación tenía.

La edición australiana no viene restaurada de 4K y se le nota falto de definición. https://www.blu-ray.com/movies/Break...0/#Screenshots

En cuanto a los extras, casi todo es con críticos de cine, salvo el actor de escenas de acción y otro actor secundario. Es decir que los extras realmente excepcionales se encuentran en la edición americana contando con la participación de los dos actores estrella de la película y el director.

Lleva los extras:

Trailer - vintage trailer for Breakdown. In English, not subtitled. (3 min, 1080p).

It's Gonna Cost You: Making Breakdown - in this program, writer/director Jonathan Mostow recalls under what conditions Breakdown came to exist, and discusses the long prologue he was forced to shoot (which thankfully was discarded), his interactions with Dino and Martha De Laurentiis, Kurt Russell's performance, the shooting of the action footage, etc. In English, not subtitled. (24 min, 1080p).

The Trap Is Set - in this interview, stunt coordinator M. James Arnett recalls how he became involved with Breakdown and discusses the precisely how various sequences were shot (apparently, most of them were very "physical"), the editing work that was required to get everything to look perfect, some of the risks that emerged during the shooting process, etc. In English, not subtitled. (10 min, 1080p).

Wrong Place: Wrong Time: Remembering Basil Poledouris - in this interview, musician Eric Colvin discusses his work with composer Basil Poledouris and the type of orchestration he did to get the soundtrack of Breakdown to sound as it does. Mr. Colvin also has some specific comments about Poledouris' working methods and his relationship with Jonathan Mostow. In English, not subtitled. (14 min, 1080p).

They Think I'm a Dummy - in this program, actor Jack Noseworthy recalls when and how he auditioned to play the character of Billy, how he prepared for the dual nature of his character, the shooting process, J.T. Walsh's performance (and terrific monologue), etc. In English, not subtitled. (12 min, 1080p).

Life is Jeep: Breakdown and the Psychology of the Road - in this visual essay, Ian Mantagani deconstructs Breakdown and addresses its visual style and tone. In English, not subtitled. (16 min, 1080p).

Interview with Film Critic Tim Robey - in this interview, critic Tim Robey remembers the fist time he saw Breakdown in Los Angeles, and discusses some of the reasons why the film became a big hit, its style and personality, and the evolution of Jonathan Mostow's career. In English, not subtitled. (18 min, 1080p).

Audio Commentary - in this audio commentary, critic Peter Tonguette identifies the key reasons Breakdown remains a very special film, and discusses the nature of the conflicts that emerge in it, the film's visual style and the realism that shapes up its personality, the types of suspense and ambience that the narrative produces, etc.