Tema: Cannes 2014

NUEVOS MOVIMIENTOS

Another film selected Out of Competition: Coming home (Gui Lai) by Zhang Yimou!

Esta semana supongo que sabremos la composición del jurado. A ver que se saca el bueno de Thierry de la manga.

Un saludo

Ese trailer me ha recordado a "El tren de Zhou Yu"

Iniciado por Dr. Morbius

Anunciados los participantes en la Quincena de Realizadores:

Películas:

[...]
Queen And Country, dir: John Boorman
[...]

No conocía esta nueva película del veterano Boorman. No tiene mala pinta:http://www.imdb.com/title/tt2392810/

Una pena que al final Boorman no llevará a cabo su proyecto de Memorias de Adriano.

Saludos

Iniciado por Dr. Morbius

Esta semana supongo que sabremos la composición del jurado. A ver que se saca el bueno de Thierry de la manga.

Un saludo

Sí, a ver quiénes acompañan a Jane Campion. Saludos

Bueno. Acaba de saberse quiénes componen el jurado. A Jane Campion (presidenta) le acompañan 4 hombres y 4 mujeres:
- la actriz francesa y chica Bond, Carole Bouquet.
- la directora Sofia Coppola
- la actriz iraní de A separation, Lelia Hatami
- la actriz coreana Do-yeon Jeon (ganadora en el 2007 aquí)
- el actor americano Willem Dafoe
- el actor y director mejicano Gael García bernal
- el director chino Zhangke Jia (ganador a mejor guión aquí el año pasado)
- y el director Nicolas Winding Refn (ganador a mejor dirección en 2011).

Interesante jurado. Me llama la atención que los cuatro realizadores que lo integran, me parezcan, por lo menos a simple vista, tan diferentes. Bueno, cinco realizadores que García Bernal también ha dirigido ya varias veces.

Saludos

Espero con ganas la nueva película de Nuri Bilge Ceylan, Kis Uykusu, Sueño de Invierno, presentada como Winter Sleep.

Nicolas Winding Refn

Muy bueno el jurado.

¡Interesantísimo jurado! ¡Qué ganas de que llegue Cannes! Aunque luego lo paso fatal porque te quedas con muchas ganas de ver muchas películas que las ponen genial y tardan mucho en genial.


P.D. Viendo el trailer de la película de Zhang Yimou... ¿Gong Li no envejece?

Añadidas seis películas más en las distintas secciones del festival:

Sección oficial (fuera de competición):

L’Homme qu’on aimait trop (In The Name of my Daughter) de André Téchiné(1h56)

Un Certain Regard:

Fehér Isten (White God) de Kornél Mundruczó (1h59)

Proyecciones especiales:

Of Men and War (Des Hommes et de la guerre) de Laurent Bécue-Renard (documental, 2h22)

The Owners, de Adilkhan Yerzhanov (1h33)

Géronimo, de Tony Gatlif (1h44)

El Ardor, de Pablo Fendrik (1h40) (con Gael Garcia Bernal, miembro este año del jurado)

Un saludo.

The program of the edition 2014 of Cannes Classics is made of twenty-two features and two documentaries. The films will be screened as the right holders wish them to be: DCP 2K or DCP 4K. For the first time no 35mm print will be screened at Cannes Classics with regret for some or with celebration for others.


Guest of honor: SOPHIA LOREN
Award for Best Actress in 1961 and president of the jury in 1966, Sophia Loren is the guest of honor of Cannes Classics. She will be present at the screening of LA VOCE HUMANA (2014, 25mn), directed by Edoardo Ponti, which marks the occasion of her comeback to the movies. During the same evening Marriage Italian Style (Matrimonio all'italiana) by Vittorio De Sica (1964, 1h42) will be screened in 4K restoration by L’Immagine Ritrovata.

Sophia Loren has also accepted to give a masterclass—a conversation which will take place on the stage of Salle Buñuel.

PER UN PUGNO DI DOLLARI / A FISTFUL OF DOLLARS / POUR UNE POIGNEE DE DOLLARS by Sergio Leone (1964, 1h40)
To celebrate the birth in 1964 of the Italian western, the Cinematheque of Bologna will present the film restored in 4K by L’Immagine Ritrovata of A FISTFUL OF DOLLARS directed by Sergio Leone in 1964 with Clint Eastwood and Gian Maria Volonte.
The screening has been made possible by the right holders: the Paladino family and Unidis Jolly Film, which produced and distributed the film. Thanks to the Leone family.

Thirty years old for PARIS, TEXAS by Wim Wenders (1984, 2h25)
Awarded by the President of the Jury Dirk Bogarde and handed out on stage by Faye Dunaway, the Palme d’or of Paris,Texas is thirty years old. Wim Wenders will be back on the Croisette (besides his selection at Un Certain Regard with THE SALT OF THE EARTH) with a new print of PARIS, TEXAS. After The Umbrellas of Cherbourg by Jacques Demy, Under the Sun of Satan by Maurice Pialat or The Leopard by Luchino Visconti, the Festival de Cannes shows restored copies of its Palmes d’or.
HD Transfer done at Deluxe Laboratory in New York, supervised by Wim Wenders, and Spirit Scan made at the German laboratory CinePost Production. Digital transfer made by Criterion.


REGARDS SUR UNE REVOLUTION : COMMENT YUKONG DEPLAÇA LES MONTAGNES by Marceline Loridan et Joris Ivens (1976, 1h11)
A presentation by Marceline Loridan and the Archives françaises du film of the CNC.
Digital restoration was carried out from the 2K scan of the 16mm negatives. Scans and restorations were carried out by the laboratory of CNC Bois d'Arcy. Coulor grading and finishes have been made by the Eclair laboratory.

CRUEL STORY OF YOUTH (SEISHUN ZANKOKU MONOGATARI) by Nagisa Oshima (1960, 1h32)
A presentation by Shochiku studio.
The digital restoration was performed in by 4K Shochiku Co., Ltd. under the supervision of Takashi Kawamata, cameraman of Nagisa Oshima. The film will be distributed in France by Carlotta.

WOODEN CROSSES (LES CROIX DE BOIS) by Raymond Bernard (1931, 1h55)
Presented by Pathé and the Fondation Jérôme Seydoux – Pathé.
The film was scanned and restored in 4K by the laboratory L'Immagine Ritrovata Bologna. The restoration was carried out by Pathé.

OVERLORD by Stuart Cooper (1975, 1h24)
A restoration presented by The Criterion Collection (New York).
HD Digital transfer supervised by director Stuart Cooper from a new 35mm fine-grain master. Mono sound now in 24 bits.

LA PAURA / ANGST / LA PEUR by Roberto Rossellini (1954, 1h23)
Within the framework of the Rossellini project, a restoration made in 4K by L’Immagine Ritrovata in Bologna.
Cannes Classics has been welcoming since 2011 the ambitious Italian project, The Rossellini Project, from the collaboration between Instituto Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale and Coproduction Office (in charge of international sales). After presenting La Macchina Ammazzacattivi (La Machine à tuer les méchants, 1948) and Viaggio In Italia / Journey To Italy (Voyage en Italie, 1954), please find Angst / La Paura by Roberto Rossellini.
Print restaured by the Cineteca di Bologna with L’Immagine Ritrovata collaborating with the Istituto Luce Cinecittà, CSC-Cineteca Nazionale and Coproduction Office.


BLIND CHANCE (PRZYPADEK) by Krzysztof Kieślowski (1981, 1h57)
A presentation by the Polish Film Institute.
Restoration carried out in 2K with the color framing supervised by the director of photography.

THE LAST METRO (LE DERNIER METRO) by François Truffaut (1980, 2h21)
Presented by MK2 and the Cinémathèque française with the support of the French and American Fund on the occasion of the thirty years of François Truffaut’s passing away.
The original negative was scanned in 4K and restored frame by frame by 2K Digimage laboratory. Restoration and color framing were supervised by DP Guillaume Schiffman.

DRAGON INN (龍門客棧) by King Hu (1967, 1h51)
A presentation of the Chinese Taipei Film Archive.
Digital restoration made in 4K by the L’Immagine Ritrovata in Bologna from the negative. The director of photography has supervsed the color framing.

DAYBREAK (LE JOUR SE LEVE) by Marcel Carné (1939, 1h31)
Restoration 4K presented by Studio Canal.
Work on the images made by Eclair, sound restored by Diapason in partnership with Eclair.

COLOR OF THE POMEGRANATE (SAYAT NOVA) by Sergei Parajanov (1968, 1h17)
Restoration financed by the Film Foundation-World Cinema Project (New York) and made in 4K by L’immagine Ritrovata.

LEOLO by Jean-Claude Lauzon (1992, 1h42)
A presentation of « Éléphant, mémoire du cinéma québécois. »
Digital restoration made in 2k from the original negative, sound restored by the Cinémathèque québécoise. Technical services: Technicolor, creative services: Marie-José Raymond et Robert Jacquier for Éléphant.

GACIOUS LIVING (LA VIE DE CHATEAU) by Jean-Paul Rappeneau (1965, 1h30)
Presented by TF1 DA.
Film restored in 2K at Mikros from the original negative, with a restoration of the stock shots. Color framing realized in collaboration between Jean-Paul Rappeneau and Pierre Lhomme, director of photography. Restoration of Michel Legrand’s music by Stéphane Lerouge.

JAMAICA INN (LA TAVERNE DE LA JAMAÏQUE) by Alfred Hitchcock (1939, 1h40)
A presentation of the Cohen Film Collection LLC.
Digital restoration made in 4K by 4K RRsat Europe – Ray King and Anthony Badger Finishing Post Productions Ltd – Jason Tufano and Marc Bijum.

LES VIOLONS DU BAL by Michel Drach (1974, 1h44)
Restoration Silverway Média. Financing by Port-Royal Films with the CNC and the support of the Fondation pour la Mémoire de la Shoah.

BLUE MOUNTAINS (LES MONTAGNES BLEUES) by Eldar Shengelaia (1983, 1h31)
A presentation of the Georgian National Film Center.
The digitalization of the image and the sound was made from the original negative in 4K par Gosfilmfond Russia.

LOST HORIZON (HORIZONS PERDUS) by Frank Capra (1937, 2h12)
A presentation of Park Circus in a digital print restored in 4k by Sony Pictures Colorworks. Park Circus will release the film in 2014.

THE BITCH (LA CHIENNE) by Jean Renoir (1939, 1h35)
Film presented by Les Films du Jeudi with the support of the CNC and the help of the Cinémathèque française and the Fonds Culturel Franco-Américain (DGA – MPA – SACEM – WGAW).
Restoration in 2K (from a 4K scan) made by Digimage Classics and sound restoration by Diapason.

TOKYO ORINPIKKU (TOKYO OLYMPIADES) by Kon Ichikawa (1965, 2h)
A presentation of the International Olympic Committee.
Digital restoration in 4K by Warner Bros. Motion Picture Imaging and Audio Mechanics at Burbank.


Also two documentaries about cinema:

LIFE ITSELF by Steve James (2014, 1h58): the life and journey of Roger Ebert, great American film critic.

THE GO-GO BOYS: THE INSIDE STORY OF CANNON FILMS by Hilla Medalia (2014, 1h30): the story of Cannon Films and the producers Menahem Golan and Yoram Globus, who will be present.


At last 8½ (1963, 2h13) restored by Gaumont and Eclair will be screened as the opening film of the Cinéma de la plage to give an echo to the poster of the 67th Festival de Cannes and pay a tribute to Marcello Mastroianni.

The whole program of the Cinéma de la Plage will be announced later.

Iniciado por victormalfocea

P.D. Viendo el trailer de la película de Zhang Yimou... ¿Gong Li no envejece?

Qué va, esta mujer duerme en una lata de conservas

Iniciado por fshtravis

Thirty years old for PARIS, TEXAS by Wim Wenders (1984, 2h25)
Awarded by the President of the Jury Dirk Bogarde and handed out on stage by Faye Dunaway, the Palme d’or of Paris,Texas is thirty years old. Wim Wenders will be back on the Croisette (besides his selection at Un Certain Regard with THE SALT OF THE EARTH) with a new print of PARIS, TEXAS. After The Umbrellas of Cherbourg by Jacques Demy, Under the Sun of Satan by Maurice Pialat or The Leopard by Luchino Visconti, the Festival de Cannes shows restored copies of its Palmes d’or.
HD Transfer done at Deluxe Laboratory in New York, supervised by Wim Wenders, and Spirit Scan made at the German laboratory CinePost Production. Digital transfer made by Criterion.

Cannes Classics 2014

http://www.fotogramas.es/Media/Image...-Classics-2014

Iniciado por fshtravis

Cannes Classics 2014

http://www.fotogramas.es/Media/Image...-Classics-2014

Coño, Horizontes perdidos ... supongo que será la edición cuasi-completa que editó hace unos años Sony/Columbia en DVD.

PDF de la guia del festival http://www.festival-cannes.fr/assets...067_%208-2.pdf

Me voy a informar pero parece que la de eleanor me la pierdo ya que estoy desde el 21. Por suerte la selección oficial la repiten el último día aunque no la podré ver entera porque coincidirán varias películas.

Lo que dudo es si la de Grace la echarán, ya que el año pasado, el día que se repetían todas las de la selección oficial, la del Gran gatsby, que era la peli de apertura, no la volvieron a emitir. :(

http://wask.fr/wp-content/uploads/20...imanche-26.pdf

Primero de una serie de artículos comentando las películas de la sección oficial:

http://www.blogdecine.com/cannes/can...cion-oficial-i

Saludos

Esto empieza, señoras y señores :



Mañana la presentación del jurado, la ceremonia de apertura y el estreno de "Grace of Monaco", fuera de concurso.

Aquí, una pequeña entrevista a Lambert Wilson, maestro de ceremonias:



Un saludo.

Como todos los años, The Hollywood Reporter edita un número especial diario para el Festival, en el que se incluyen noticias, entrevistas, críticas, horarios de proyecciones y todo los relacionado con el mercado del festival, con listados de productoras y distribuidoras y los films que venden y publicitan. Aquí va la edición del primer día en formato PDF:



http://www.hollywoodreporter.com/sit...Cannes2014.pdf

Se incluyen críticas de Grace of Mónaco y una pequeña entrevista a Tommy Lee Jones.

Un saludo.

Mi ídolo tarantino cerrará el festival dando un homenaje a Sergio leone

Quiero verle en directo.

6 días para ir

Imágenes del jurado:







... y están saliendo las primeras críticas de "Grace of Monaco", y no están siendo muy buenas que digamos:

Según Variety, es un "melodrama cursi":

http://variety.com/2014/film/reviews...co-1201180574/

Para The Hollywood Reporter, es un drama teatral, que ha dado más que hablar por el "affaire" entre el director y Harvey Weinstein por el corte final que por sus méritos artísticos:

http://www.hollywoodreporter.com/rev...-review-703460

Una foto del equipo del film ...

Nueva parte del reportaje sobre la sección oficial:

http://www.blogdecine.com/cannes/can...ion-oficial-ii

Saludos

Fotos de la ceremonia inaugural:























Vaya locura:

Buena acogida de Timbuktu, del realizador nacido en Mauritania, Abderrahmane Sissako:

Justin Chang ‏@JustinCChang 1h
#Cannes competition off to a fine start with Sissako's TIMBUKTU. My heart goes out to GPS, an ironic name for a cow that loses its way.

Alison Willmore ‏@alisonwillmore 1h
Found Sissako's BAMAKO too didactic to take to, but TIMBUKTU's very strong, showing both the humanity and tyranny of its extremists. #cannes

Peter Bradshaw ‏@PeterBradshaw1 44m
Timbuktu (dir. Abderrahmane Sissako) really is excellent: a powerful, ennobling film. My review will be up later #Cannes2014

erickohn ‏@erickohn 1h
TIMBUKTU is downbeat but also quite funny; unlike other movies about jihadists, situates tragedy in richly developed community. #cannes

olilyttelton ‏@olilyttelton 1h
TIMBUKTU: Novelistic, wryly funny examination of language, justice and militant Islam in Africa. Imperfect, but often stunning. #cannes

Nick James ‏@filmnickjames 2h
I've never seen a film that combines, quiet fury, humour, and tragic symbolism so compellingly as TIMBUKTU. Great start to comp #Cannes2014

Geoff Andrew ‏@Geoff_Andrew 2h
#Cannes2014 kicks off very well with Abderrahmane Sissako’s Timbuktu: very moving, nicely measured account of jihadist persecution in Mali.