Que pintaza tiene esto.
Tripley, pásate por el hilo de la nueva entrega de Matrix cuando puedas, por favor.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ya decía yo que dos Desplat en un año me parecían poca cosa, teniendo en cuenta su ritmo de trabajo habitual.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Creía que este año teníamos doblete de Del toro.
Además Desplat tiene también en cartera los últimos proyectos de Rebecca Miller y Guillaume Canet que, diría que tienen similitudes en lo temático.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Primer Trailer
Qué pintaza, qué repartazo, qué fotografía y diseños... y hasta ciertas imágenes me han recordado a Barton Fink.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Muy buena pinta, aunque sigo sin saber realmente de qué va la peli . Se me acumula el trabajo para diciembre!
El callejón de las almas perdidas
Poster español
Pues al final, Desplat no va a poder componer el score (debido a las restricciones del COVID y problemas de agenda del frances)
Se encarga Nathan Johnson.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Tengo ganas de ver esta peli, el libro es muy peculiar, oscuro y deprimente, a ver qué nos ha hecho el Sr. Del Toro.
"Los locos a veces se curan. Los imbéciles no.” Oscar Wilde.
Johnson se ha dado prisa y ya tiene terminada y grabada la banda sonora, donde por lo que se ve, metera violines
https://twitter.com/NTJohnson/status...35761405636624
Nuevo Trailer
El trabajo de Nathan Johnson se edita mañana
https://music.apple.com/nz/album/nig...ack/1597855177