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Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Pues como nadie dice nada (y además se me ha ocurrido algo bonito que poner), resuelvo: The departure (es decir, ese "que me largo" que titula el audio) del score de Gattaca, de Michael Nyman.
Por cierto, he repasado el hilo y, efectivamente, yo no he puesto nada de Gattaca en él, pero en el segundo mensaje del hilo DBesalduch ya propuso un tema de este score de Nyman y que acertó Campanilla. No se puede escuchar ya, así que no sé si era este mismo u otro.
Saludos
Última edición por Tripley; 15/02/2017 a las 00:56
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ya me extrańaba que no hubiera aparecido, la segunda bso del juego ni más ni menos, busqué Gattaca Mychael Nyman para que no salieran los tropecientos en los que apareciera sólo el título o el compositor, y claro, ese mensaje no salía. Mea culpa, pero bueno, siempre es buena ocasión para rememorarla. Y además así podemos escuchar ese tema tan bonito que se le ha ocurrido a Tripley, ˇCuando quieras!
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Gracias Akákievich. Yo he buscado sólo por Gattaca
Nueva propuesta:
https://audioboom.com/posts/5607815-?t=0
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Pues es verdad
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Más pistas, el compositor también ha trabajado (por lo menos que recuerde, tres veces) con cierto director bastante famoso que también ha colaborado con Desplat, Kilar, Goldsmith, Morricone o Komeda.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Por las pistas, creo que podría tratarse de una colaboración de André Techiné con Philippe Sardé (conexión Polanski mediante), pero hasta ahí llego, porque reconozco que el director francés es más bien una asignatura pendiente que tengo... Pero, por decir, por ejemplo, żLes innocents?
Akákievich, correcto en cuanto al director del film y el compositor, pero no es ese film.
Pista: la protagonista de la cinta es de las pocas actrices de su país en tener un Oscar (y que ganó un poco por sorpresa) y el coprotagonista no era muy amigo de un tal Sr. Anderson en cierta parte de una trilogía que musicalmente hablando le encanta a nuestro Branagh/Doyle.
Indicar que, tenía pensado poner en un principio Tess, también de Sarde, pero vi que ya se había propuesto.
Saludos
Última edición por Tripley; 20/02/2017 a las 02:21
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
La actriz puede ser Julieta (ˇˇtoma meta broma !)y el film Rendez-Vous?
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Akakievich, la peli mola mucho. Es más, Techine por lo general es un gran director, y su cine bastante accesible, así que tranquilo.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Useasé, go for it. Y eso que yo por el hilo no me he pasado aún.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Allá vamos.
Tripley, eres fan tanto del dire cómo del músico. No te digo ná y te lo digo tó.
https://audioboom.com/posts/5624863-erotismo-y-odio
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Soy tan fan de ambos que hasta creo que ya propuse el tema por aquí
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Ouch.
![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
CARNE TRÉMULA de Alberto Iglesias .
Última edición por INCUBUS; 20/02/2017 a las 15:56
ˇCorrecto!
Te toca.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Última edición por Akákievich; 20/02/2017 a las 17:11 Razón: cita
Ahí va otro temazo
https://audioboom.com/posts/5627052-juego-4
Esto es la gran:
Spoiler:
De Billy Wilder, música Franz Waxman![]()
Exacto esa es .![]()