Qué tonto!!Se trata de Malas tierras!!!
En el primero no lo veía, en el segundo lo sospeché pero las botas no me convencían... Con el tercero ya sí
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Qué tonto!!Se trata de Malas tierras!!!
En el primero no lo veía, en el segundo lo sospeché pero las botas no me convencían... Con el tercero ya sí
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"¿Qué importa como me llame? Se nos conoce por nuestros actos."
¿No te convencían las botas?. El siguiente ya iba a ser el cameo del propio Terrence Malick:
Tu turno Derek!![]()
Pues no, no las veía yo en la peli.
Nuevo gif:
Spoiler:
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Jajajaja, el mundo es nuestro, de mis compadres Alfonso Sanchez y Alberto López.
"Me da igual que sea Semana Santa, la profesión no puede pasar por aquí. Que cambien el itinerario. Ordenes de la polícia.
...
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Correcto Branagh/Doyle. Precisamente aproveché esta Semana Santa para verla
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Tu turno.
"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Vamos allá:
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
¿Casablanca?
Nop. Mediados de los años 40. Cine negro, negrísimo, con uno de los finales más desoladores y pertubadores de la historia.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Joan Bennett (y Edward G. Robinson), en Perversidad de Fritz Lang
Última edición por Brando; 21/04/2017 a las 19:47
¡Correcto!.
Te toca.
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Adivina la pelicula por el gif:
Spoiler:
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¿Éste puede ser Gerard Butler perseguido por uno de los rusos terminators de RocknRolla, de Guy Ritchie?
No la he visto, aunque el fulano que corre me parece muy delgadito para ser Gerik.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Sí, Gerik es el que huye, y no te creas que el ruso está tan delgadito
Vamos con otro gif:
Spoiler:
" Sospechosos habituales " ?
Nop, pero es del mismo año, en este caso es un film dividido en varios segmentos. Amplío el gif, para que sea más esclarecedor:
Spoiler:
men in black??
¿Puede ser Four Rooms?
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Exacto! Concretamente de la historia de Tarantino, The man from Hollywood, su versión del relato de Roald Dahl The man from the South, que ya vimos en dos Alfred Hitchcock presents, en 1960 con Peter Lorre y Steve McQueen y en 1985, con John Huston deseando cortarle el meñique a Steven Bauer
Cuando quieras Jane!![]()
¿Tema para el hilo De la literatura al cine..?
Pues marchando uno muy facilito...
Spoiler:
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.
Inconfundíble esa bata. Muy bonito el gif.
¿Nadie dice nada..? Venga, que no quiero que esto se quede parado...
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Haven't you any friends your age?-They bore me.-Why?-All they think about is Superman, cowboys..." Charles Chaplin's A King in New York.