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Re: Kenneth Branagh
¡Bien!. Era de esperar. Es una peli que polariza mucho. ¿Ya solo te queda la flauta mágica, ¿no?. Me da que esa sí te va a convencer más.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
¿Y el comentario largo de Cenicienta?
Me tienes que contestar: en el mismo sitio que tu hilo de Malick.
¡Hago lo que puedo! Pero se me echa todo encima.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
¿Tienes una copia de la flauta mágica? Creo recordar que sí. Si no, avísame.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Ostras, pues la huella la tienes que ver. Realmente buena.
Jack Ryan tiene sus cosas buenas, pero es su peor película hasta la fecha. (¡y no es mala, ojo!)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Es que la quiero volver a verIniciado por Branagh/Doyle
.
What?Me tienes que contestar: en el mismo sitio que tu hilo de Malick.
Me gustaría ver antes la original.
La veré por completismoJack Ryan tiene sus cosas buenas, pero es su peor película hasta la fecha. (¡y no es mala, ojo!)
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
Re: Kenneth Branagh
¿Pero a ver, Morir Todavía la suspendes? ¿O tampoco?
Entonces, por ir clasificando, ¿que películas no te gustan suyas?
Hagamos una cosa si os parece, id poniendo notas o estrellas al lado de cada título. Empiezo yo.
La Cenicienta (2015): 10
Jack Ryan: Shadow Recruit (2013): 5
Thor (2011): 5
La huella (Sleuth) (2007): 8
La flauta mágica (2006): 8
Como gustéis (2006): 9
Trabajos de amor perdidos (2000): 10
Hamlet (1996): 10
En lo más crudo del crudo invierno (1995): 6
Frankenstein (Mary Shelley's Frankenstein, 1994): 9
Mucho ruido y pocas nueces (Much Ado About Nothing, 1993): 10
Los amigos de Peter (Peter's Friends, 1992): 6
Morir todavía (Dead Again, 1991): 8
Enrique V (Henry V, 1989): 10
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
¡Cenicienta está ahora en Netflix España! Puedes verla cuando quieras. También tiene 30 días de prueba igual que Amazon Video o HBO, así que no tienes que pagar si no quieres.
¿Pero quieres volver a verla porque piensas que te precipitaste al darle un 10 o es por otro motivo?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
Espera, ¿no has visto la huella de Mankiewicz? Para matarte. Deberías verla primero, si.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Kenneth Branagh
I'm sorry¡Bien!
Y también "La huella" y "Jack Ryan: Operación sombra"¿Ya solo te queda la flauta mágica, ¿no?. Me da que esa sí te va a convencer más.
"El único modo de ser feliz es amando. Si no sabes amar, tu vida pasará como un destello" - The Tree of Life
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