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Eres un broncas¡¡¡
Me atengo a los hechos... (perdón por la inglesada, pero es lo que hay):

Tron: Legacy received generally positive reviews from most music critics.[21] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 71, based on 27 reviews, indicating "generally favorable reviews".[21]
A review in allmusic commented on the blend of electronic and orchestral music, specifically noting that in one track the "arpeggios and strings are so tightly knit that they finish each others' phrases".[22] The A.V. Club observed the "synergistic dream" of Daft Punk's robotic personae with the film's science fiction aesthetic, further stating that the album "is neither groundbreaking experiment nor crucial entry in the duo's catalog, but it’s an adeptly realized, tonally complementary companion" to the film.[23] Similarly, a Clash review remarked: "As a stand-alone album, what Guy-Manuel de Homem-Christo and Thomas Bangalter have created won't sate the disco heads screaming for more club material, however as an accomplished score it can only make a legendary film yet more cherished.[25]
Pitchfork Media expressed that the Tron: Legacy soundtrack is the continuation of Daft Punk's growing interest in complementing music with visual imagery, noting the duo's previous Alive 2006/2007 tour and feature film Interstella 5555 as examples.[30] A review in Spin also pointed out Daft Punk's history with filmmakers in the duo's earliest music videos and "That Daft Punk's Guy-Manuel de Homem-Christo and Thomas Bangalter would score Tron: Legacy seems destined."[33]
Christian Clemmensen of Filmtracks.com spoke highly of the score, awarding the music 4 out of 5 stars calling it "a success of a score", but panned it's treatment on the various commercial releases stating, "There have been many disgraceful releases of soundtracks over the previous ten years, but the situation with Tron: Legacy not only establishes a new low in terms of the division of the score onto differing products, but also makes no sense for the market in 2010. In order for a fan of this score to acquire all of the commercially available music for Tron: Legacy (amounting to almost 80 minutes), he or she will be forced, at least initially, to purchase three of four separate products. Forget the fact that 79 minutes of this score would have fit nicely onto one CD."[34]
The soundtrack debuted at number 10 on the Billboard 200 albums chart with sales of 71,000 copies.[35] This marked the duo's first top 10 album/soundtrack in the United States.[36] In its second week, the soundtrack dropped to number 33 on the Billboard 200. It managed to sell an additional 67,000 copies in its third week of release, coming in at number 27 on the Billboard 200.[35] In its fourth week, the soundtrack rose to a new peak position of number 6 on the Billboard 200 selling an additional 54,000 copies.[35] In its fifth week, the album reached a new peak of number 4 by selling 34,000 copies.[37] As of November 17, 2011, Tron: Legacy was awarded with a gold certification for 500,000 units sold.[38]
Tron: Legacy received an award for "Best Original Score" from the Austin Film Critics Association,[39] and was nominated for Score of the Year by the International Film Music Critics Association.[40] The soundtrack album was nominated for Best Score Soundtrack Album for Visual Media at the 54th Grammy Awards.[41]
The song "Recognizer" was used in the Resident Evil: Retribution trailer, set to be released in September, 2012.

Eso NO quita méritos a la película. Gracias a la banda sonora tiene más puntos en el marcador particular de cada uno, creo yo. Los que vimos Tron de estreno, la revimos en el 25 aniversario y tenemos presentes su impresionante factura para la época, ahora nos hemos encontrado con una película espectacular a nivel gráfico, una recreación de Flynn jovencito que no es perfecta, pero no está mal, con una Olivia Wilde que se sale (por su belleza, el papel no pasa de ser secundario), una vuelta de tuerca en la maldad encerrada en esa CPU, un escaso papel en dos actores como Bruce Boxleitner (simplemente pensado como un cameo a su intervención en la original al lado de Bridges), y Cillian Murphy como hijo de de Dillinger (Shark) que podía haber dado mucho más de sí con su particular físico (y sus papeles hasta hoy día), dando tanta guerra como su predecesor. Claro que no todo es mala crítica. Michael Sheen se sale como Castor /Zuse. Y qué decir de las sirenas, con la guapísma Beau Garret! Uf!

Mi queja personal sobre Legacy es el argumento / guión. Flojete. Las mismas carreras de ciclos de luz, en 3D real claro, pero sin aportar novedades (¿por qué no disparan haces de fotones? en cambio la lucha de discos la han mejorado y mucho), el mismo velero solar, etc. No se qué hubiera hecho yo, porque no me dedico al tema. Algo me falta. La historia de los ISO es para flipar... ¿surgen espontáneamente? Y el nombre de ISO's no les pega para nada. Han tomado un término informático y ale, ya tenemos personaje.

Debo decir que a pesar de estos detalles y otros que me olvido o me dejo a un lado, la he visto ya tres veces, y seguramente la volveré a ver. Para disfrutar de la imagen y del sonido, sin duda alguna. Y para fijarme aún más en cositas que podrían haber sido muy superiores y otras que se podían haber omitido.

Eso sí, sabemos que Flynn Jr. NO es un replicante!!!!

Y ahora, ¡puños fuera!