Moore + Adams
Saludos
Moore + Adams
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Wyatt Russell (Ingrid Goes West, 22 Jump Street) se une al reparto de The Woman in the Window de Joe Wright con Amy Adams y Julianne Moore
Wyatt Russell Joins Amy Adams In Fox 2000’s ‘The Woman In The Window’
![]()
Con ganas de poder disfrutarla en salas.
Exclusiva: Gary Oldman se une al proyecto
Gary Oldman Joins Amy Adams in 'The Woman in the Window' (Exclusive)![]()
Última edición por Brando; 25/07/2018 a las 01:04
Brian Tyree Henry (Atlanta, Viudas) se une al reparto.
![]()
Kevin Thompson (Birdman, Michael Clayton, Okja, Ad Astra) es el diseñador de producción de The Woman in The Window de Joe Wright con Amy Adams, Gary Oldman, Julianne Moore y Wyatt Russell
Joe Wright’s Thriller ‘Woman In The Window’ Adds ‘Birdman’ Production Designer
![]()
Anthony Mackie (Avengers: Infinity War, Detroit) se une al reparto de The Woman in the Window de Joe Wright con Amy Adams, Julianne Moore, Gary Oldman, Wyatt Russell y Brian Tyree Henry
Anthony Mackie Joins Amy Adams, Julianne Moore in Joe Wright’s ‘Woman in the Window’ (EXCLUSIVE)
![]()
Se ha iniciado el rodaje.
![]()
Fotografia a cargo de Bruno Delbonnel
que ya hizo la foto de la anterior de Wright y viene de rodar con los Coen
Trent Reznor y Atticus Ross (Gone Girl, The Social Network, The Girl with the Dragon Tattoo) se encargan de la banda sonora de The Woman in the Window de Joe Wright
Trent Reznor & Atticus Ross to Score Joe Wright’s ‘The Woman in the Window’
![]()
Oh, shit. ¡SHIT!
...
...
...
![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
A lo mejor es otro caso Hannah, donde Marianelli le ha dicho que si necesitaba música "moderna" o industrial, el no es su hombre. Así que no estoy preocupado.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Yo lo voy a tomar como un indicio de que Wright se pone fincheriano y eso me gusta, al igual que Reznor y Ross.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Bueno, en mi opinión, las pelis de Fincher con Shore (o Goldenthal o Shire) alcanzaban las mismas cotas de maestría formal que las actuales... pero tenían indudablemente mejor música, con papel narrativo.
El background noise de estos dos pega y queda bien, pero nada más.
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
¿Alguna novedad al respecto?. Necesito mi dosis de Wright...![]()
"There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”
John Ottman.
Por si no os habeis pasado por el hilo de Disney compra Fox...
resulta que tras la adquisicion de FOX por parte de Disney, esta, ha decidido cerrar la compañia FOX 2000, una de las subsidiarias de FOX, dedicada al cine de presupuesto medio, y productora entre otras de esta proxima peli de Joe Wright
Esto puede afectar el estreno de la pelicula, aunque de momento Disney asegura que Fox 2000 cesara su actividad, cuando acabe la produccion de The Woman in the Window, que sería la ultima peli que se haga bajo ese sello. The End.
Fox 2000 To Shutter As Disney Takes Over
EXCLUSIVE: In a surprise move, sources said that Disney will be shuttering the Fox 2000 label run by Elizabeth Gabler. It was believed that Gabler, who made a slew of mid-budget elegant tastemaker films, would continue to lead the executive team who make up her label, but sources said that isn’t going to be the case.
It remains unclear if Gabler will become a producer, but sources said that division will cease after The Woman in the Window, the Joe Wright-directed thriller that stars Amy Adams and Gary Oldman.
Luego ni nominaran por séptima vez a Adams por haber dejado el film medio olvidado.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Al final cambiarán el título por Woman in the wire (Mujer en el alambre), pero no confundir con Man in the wire![]()
Mi blog: www.criticodecine.es