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Re: Megalopolis (Francis Ford Coppola, 2024)
Y tanto que si. Al parecer, su carácter disciplinado, serio y muy formal -además de su talento, claro- está ayudando sobremanera a ello. Tiene la cabeza muy bien amueblada.Iniciado por Muthur
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
No por nada estuvo el tío en los marines
Última edición por Nabocho; 03/03/2024 a las 23:37
Re: Megalopolis (Francis Ford Coppola, 2024)
The face with Adam Driver.
We had a 10-minute chat with the actor about the pitfalls of fame and Francis Ford Coppola’s Megalopolis.
What can you tell us about Megalopolis?
It’s kind of undefinable, which feels very general until you watch the movie. Then my answer will be perfect. There’s not a lot of precedent for it and it’s wild on a big scale, which is what’s really unique about it.
In the film, you play renegade architect Caesar. Can you describe him in one sentence?
He’s a visionary. He’s very much Francis [Ford Coppola], in a way, where he’s investigated every way of how people can do something and is trying not to get stuck on the right answer. That’s an idea that’s moving to me – and one that reflects Francis.
https://theface.com/culture/adam-driver-interview-megalopolis-francis-ford-coppola-frances-ha
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