¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.
Re: Megalopolis (Francis Ford Coppola, 2024)
Ojalá aunque no se yo si A Contracorriente posee el músculo financiero suficiente para el nivel de promoción de la película que Coppola tiene en mente. Quizá sea un acuerdo de distribución conjunto con alguien más.Iniciado por Edge-Azel
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Esperar y no sea diamond jajaja
Re: Megalopolis (Francis Ford Coppola, 2024)
No seas cenizo hombre,recemos pa que eso no suceda
Re: Megalopolis (Francis Ford Coppola, 2024)
Que no sea Piece of Magic, por favor.
Re: Megalopolis (Francis Ford Coppola, 2024)
Es tripictures.
Re: Megalopolis (Francis Ford Coppola, 2024)
TriPictures será la distribuidora de MEGALOPOLIS en España
https://deadline.com/2024/05/megalop...rs-1235913090/
Re: Megalopolis (Francis Ford Coppola, 2024)
Mala noticia, en mi opinión.
Re: Megalopolis (Francis Ford Coppola, 2024)
"Interestingly, we understand these deals are for theatrical rights and that TV and VOD rights have been held back by Coppola’s team, potentially paving the way for a global streamer-type deal down the line."
Re: Megalopolis (Francis Ford Coppola, 2024)
¿Lo que viene a significar que Coppola y su equipo priorizan el estreno en cines?. Si es así, bien hecho.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
¿Puedes explicar por qué?.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
No me fío de ellos para el formato físico.
Re: Megalopolis (Francis Ford Coppola, 2024)
Ah. Hombre, pero si realizan un estreno convencional en salas (es decir masivo, y con la ventana temporal clásica), lo cual Tripictures tiene la capacidad de hacer, yo creo que editarla si la editaran. Muy mal tendrían que ir las cosas para que se diese lo contrario.
Said Felipe Ortiz, President of Tripictures: “For Tripictures, it is an honor to have the opportunity to release Megalopolis in Spain. This film is one more masterpiece from the great Francis Ford Coppola that we know will touch all the audiences and remain a legacy in everybody’s mind.”
Última edición por Branagh/Doyle; 12/05/2024 a las 23:54 Razón: Me comí un trozo
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Porque fisico con ellos es casi imposible,ahi esta Blade 2 que es de ellos y aún sin salir aqui
Re: Megalopolis (Francis Ford Coppola, 2024)
Vaya. Pues esperemos que a la película le vaya muy bien y se animen a editarla.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Yo no quiero ser agorero, pero, por ejemplo, la última película de Spielberg por aquí no está editada.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Re: Megalopolis (Francis Ford Coppola, 2024)
Madre mía de mi vida... ya nos veo comprando la edición francesa o británica del film, entonces.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Podría ser que salga por el título que es, pero el problema no es ese, es que si la editan, seguramente no la editen de la mejor manera o calidad. Yo, que soy muy exigente. De todas formas, B/D, tú puedes importarla.
Re: Megalopolis (Francis Ford Coppola, 2024)
Si, eso es verdad. Pero da rabia, claro. Y encima lo que dices de que a nivel de audio o video la edición patria pueda ser peor.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Parece ser que Tripictures solo ha negociado derechos de cine,para fisico aun no hay nada negociado por lo que aún hay posibilidades
Re: Megalopolis (Francis Ford Coppola, 2024)
Eso iba yo a decir. Parece que Coppola ha negociado los derechos con estas distribuidoras en cada país estrictamente solo para su exhibición en cines con la idea de un estreno masivo con una ventana temporal de duración tradicional. Como antaño, vaya. Por tanto, el contrato que han firmado única y exclusivamente cubre eso. Teniendo en cuenta esto, es perfectamente posible que A Contracorriente - por ejemplo- pudiese hacerse con los derechos para editar la película en formato físico en el futuro.
Lo que me intriga es lo que se ha apuntado de "un futuro acuerdo global con un servicio de streaming para transmitir la película". Me inclino por Apple TV+, porque a día de hoy es la plataforma en streaming que mayor calidad de imagen y sonido ofrece, algo que parece ser muy importante para Coppola con esta película en concreto (como certifica el hecho de que decidiese rodarla en 70mm).
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
¿Y sabéis en qué salas está estrenando últimamente TriPictures? Me refiero a si es en las pequeñas salas de las capitales(tipo Verdi) o en multicines(Yelmo, etc...).
Re: Megalopolis (Francis Ford Coppola, 2024)
Yo de momento, me conformo (agradezco enormemente) de que podamos vivir la experiencia en pantalla grande en España. El resto "Dios" dirá.
Y no soy un seguidor de la carrera de Coppola (perdonadme) ya que creo que solamente he visto la trilogía del Padrino de él, pero este proyecto, tanto desde el punto de vista creativo (es suyo totalmente y deseado desde hace décadas), como lo que parece que propone (historia) y como está dirigido (el teaser habla por si solo), es de obligado visionado para mi.
Última edición por jurassicworld; 13/05/2024 a las 11:31
"Es toda una experiencia vivir con miedo, ¿verdad? Eso es lo que significa ser un esclavo".
Re: Megalopolis (Francis Ford Coppola, 2024)
He echado un vistazo en la web y parece que estrenan en todos lados. Todo tipo de salas, digo (y de localidades, gracias a Dios).
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Megalopolis (Francis Ford Coppola, 2024)
Pues este verano podrías aprovechar y hacerte un ciclo -de Coppola, digo-. Tranquilamente. Así te pones al día y haces balance de su obra.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Permisos de publicación
LinkBack URL
About LinkBacks
Citar
