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"¿Qué importa como me llame? Se nos conoce por nuestros actos."
Claire Foy en Cinemacon
De esta no se ha filtrado nada, pero mostraron un clip
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Más imágenes de la CinemaCon:
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Mañana llegará el primer trailer de The Girl in the Spider's Web
https://twitter.com/SonyPictures/sta...48535641665536
No se si se ha comentado pero..¿Se supone que es el cuarto libro lo adaptado? ¿El quinto? ¿Libre?
A black belt is a white belt that never quit.
Parece que la serigrafia de la peli es la misma que la de Fincher.
"Es peligroso, Frodo, cruzar tu puerta. Pones tu pie en el camino, y si no cuidas tus pasos, nunca sabes a dónde te pueden llevar" -Bilbo Bolsón-
Trailer
Mi puñetero blog: http://motivosparalevantarse.blogspot.com/
Mi puñetero libro: http://www.bubok.es/libros/234705/Sangre-en-la-pared
Pinta bien. Pero voy a echar de menos a Rooney Mara.
4 HORITAS DE PURO ZACK
18-3-2021
Me esperaba un enfoque distinto pero parece que Álvarez ha seguido el estilo de la anterior.
Luce muy bien.
¿Seguirá nuestro Roque Baños la colaboración con Alvarez, tras poner música a Evil Dead y Don't Breathe?.
Esperemos que si.
Por lo demás, visto el trailer (lo que dejo intuir) , se re-confirma que Alvarez posee un sentido magnifico de la composición y planificación de los encuadres, y Foy es una magnífica actriz. Así que, aunque Fincher, Craig y Mara nos diesen un pequeña joya, esto tiene mi voto de confianza.
Última edición por Branagh/Doyle; 07/06/2018 a las 17:24
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Trailer doblado al castellano
Por el titulo parece que la peli va de la chica de Spiderman, no se si sera MJ o GS, no lo aclara
Poster español
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What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Roque Baños me parece un crack
4 HORITAS DE PURO ZACK
18-3-2021
Sip. Si no le habéis dado una oportunidad a la saga Torrente porque bueno... es Torrente,, hacedlo. La musica es completamente seria y de alta categoría, cómo una especie de James Bond español. Porque siga la máxima de que la musica para una comedia ha de tomarse completamente en serio, así el efecto cómico es mayor.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
4 HORITAS DE PURO ZACK
18-3-2021
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Cuando digo, te veo puesto, hablo en relación a la mayoría, cómo Paco el del cuarto, que la única vez que escucha una orquesta es durante las fiestas de su pueblo y se cabrea porque no tiene letra.
Dejar claro que Paco el del cuarto es un tío cojonudo, eh.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Yo es que hago trampas, porque tengo estudios. No juego limpio.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.