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Tema: Revisando la saga de Batman

  1. #5576
    Maestro Avatar de BruceTimm
    Fecha de ingreso
    24 oct, 07
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    Predeterminado Re: Revisando la saga de Batman

    Zack Snyder entrevista a Frank Miller.

    https://www.inverse.com/entertainmen...yder-interview
    RIP, Sir Pratchett.

    «En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.

    "Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right." «1984»

  2. #5577
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
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    21,632
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    50918 veces

    Predeterminado Re: Revisando la saga de Batman

    PrimeCallahan ha agradecido esto.
    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

  3. #5578
    Vigilante Avatar de Branagh/Doyle
    Fecha de ingreso
    22 jun, 14
    Ubicación
    Agincourt
    Mensajes
    21,632
    Agradecido
    50918 veces

    Predeterminado Re: Revisando la saga de Batman

    Oldman está haciendo muchas entrevistas últimamente porque desde hace unos días es Sir Gary Oldman.


    "There’s this misconception these days that a thematic score means a dated-sounding score. This, of course, is a cop out. There’s no reason to throw the baby out with the bathwater. The art of composing modern scores is the having the skill set to keep motifs alive while being relevant. But too many times, newer composers have no idea what fully developed themes are because they grew up on scores that are nothing more than ostinatos and “buahs.”

    John Ottman.

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