Ahora que sale el tema de la política y Star Wars, es momento de recordar este artículo genial sobre el punto de vista del Imperio y lo dudoso de todo el tema República y Jedis
http://www.gigamesh.com/criticascine...elimperio.html
Synch
Ahora que sale el tema de la política y Star Wars, es momento de recordar este artículo genial sobre el punto de vista del Imperio y lo dudoso de todo el tema República y Jedis
http://www.gigamesh.com/criticascine...elimperio.html
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Si es que estaba claro que la Republica era un sin-sentido burocratico saca-cuartos, al igual que los Jedis, que defendian la galaxia siempre que les apeteciera, el Imperio era mucho mejor, mas centralizado y ordenado
Yo estoy esperando/deseando que en el Episodio VII haya una escena en la que un par de ancianos suelten un: "Esto con el Emperador no pasaba" o "Con el Imperio se vivia mejor"![]()
FUERA DE SERVICIO
"So this is how liberty dies, with thunderous applause." - Padmé Amidala
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Última edición por padmeluke; 28/10/2014 a las 14:20
Spoiler:
Doctor diplomado en infancias violadas cinematográficas y believers Lucasianos.
Dentro de mil años tú no existirás, ni nada se recordará de ti. De Star Wars y George Lucas, probablemente sí.
"Ahora la gente del cine ya no dice "miren qué buenas películas hacemos" sino "miren que buenas personas somos"". (Bill Maher)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Aprovechando que en otro hilo hablamos de Nolan he encontrado este artículo y confirma la info que aportó el compañero Marty McFly sobre la influencia de SW en la carrera del inglés. El caso es que de los grandes del blockbuster, Nolan era el único al que no le había leído nada sobre influencias galácticas, es más, hasta me parecía normal por su cine pero hoy he recordado la info de Marty y he encontrado esto:
http://www.contactmusic.com/news/chr...ration_1153625
Christopher Nolan's Star Wars Inspiration
Christopher Nolan admits a 1977 trip to the cinema to see 'Star Wars' changed his perception of movies forever.
Christopher Nolan's 'Inception' was inspired by 'Star Wars'.
The filmmaker - who worked alongside Leonardo DiCaprio and Ellen Page in the sci-fi mystery movie - admits he was so impressed when he saw the George Lucas-directed movie in 1977 that it changed how he saw films.
He told MTV News: "That completely changed movies for me. It changed everything really."
"I think, for me, my whole career in making films, really every time I set out to make a film, I want to try and give somebody in the audience the experience I had watching that film, where it really felt like anything was possible in that world."
"That's a really extraordinary experience to have as a moviegoer."
The director recently revealed his belief the movie "challenged" him to build on his previous work including 'Batman Begins' and 'Memento'.
He said: "I've been very fortunate in my career in many ways, but very much in the way in which I've been able to build one film to the next.
"I started with the smallest-possible-scale film, 'Following,' which I made with friends on weekends - just us doing to it. To 'Memento,' which had a real budget and a real cast. I gradually built on that.
"What I've tried to do with every new film is to challenge myself. I don't want to do the same thing again. I don't want to do something I already know I can do. I want to try and do something that builds on what I've learned, that takes it someplace new."
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Ralph McQuarrie, Gary Kurth y Norman Reynolds.
Joe Johnston
![]()
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
http://rafaelfilm.cafilm.org/dennis-...isual-effects/
Dennis Muren estará presentando y comentando 5 películas en las que ha trabajado y 1 que le ha inspirado:
Terminator 2 (recordemos que es el trabajo del que dice estar más orgulloso)
The Equinox (su corto de juventud)
CE3K
The thief of Bagdad
AI Artificial Intelligence
Star Wars Episode II
DENNIS MUREN: MASTER OF VISUAL EFFECTS
“Dennis has the rare ability to view everything as a possibility.”
- George Lucas
Perhaps only fans know his name, but all of us have enjoyed his work. Dennis Muren, the Senior Visual Effects Supervisor at Industrial Light & Magic, is one of the preeminent visual effects artists in the world and, for that matter, in film history. The winner of nine Academy Awards, he has played a vital role in the field’s technical achievements from Star Wars (1977) to this day.
As a filmmaker, Muren is largely self-taught, beginning with 8mm films as a child in Glendale, California, where he honed his skills in stop-motion animation and in photographing miniatures, even paying visits to one of his heroes, stop-motion wizard Ray Harryhausen.
He joined the nascent ILM in 1976 to work on Star Wars and helped forge the company’s technical and artistic directives, spearheading the move from models and miniatures to CGI (computer-generated imagery). He has been a trusted collaborator with directors George Lucas, Steven Spielberg and James Cameron, and he has been involved with several landmarks of modern visual effects, from Star Wars and Indiana Jones to Terminator 2, Jurassic Park and beyond.
In 1999, flanked by Lucas and Cameron, he became the first visual effects artist to receive a star on the Hollywood Walk of Fame. He is currently preparing a book, Art and Emotion, addressed to visual artists. While remaining actively involved in the evolution of ILM and the design and development of new cinematic techniques, he hasn’t lost his love for the “old-school” styles of pioneers like Harryhausen because the feeling in their work is so true. As the white-bearded elder tells Sabu in The Thief of Bagdad: “Everything is possible when seen through the eyes of youth.”
Dennis Muren will present and discuss five films on which he worked, and one classic
that inspired him:
---------------
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
No conocía ese primer corto de Dennis. Aunque está medio retirado, ojalá cuenten con él en las nuevas entregas. ¿No se sabe, verdad?
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
El supervisor de efectos visuales para el VII es Roger Guyett (Episodio III, Piratas del Caribe 2&3, Potter 1&3, Star Trek '09 etc) aunque en imdb también citan a John Knoll, que actualmente es el Director creativo de ILM, así que no sé si va a trabajar como supervisor o consultor (en imdb le otorgan ambas funciones).
De Dennis no se sabe nada a nivel del Episodio VII, dudo que trabaje en ello, aunque con su status en ILM imagino que puede ejercer de directivo pero poco más.
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Pues una pena, pero seguro que ILM hace un buen trabajo como es lo habitual.
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
Creo que este debe ser el mejor hilo para preguntar, y lo siento si se ha discutido anteriormente pero me gustaría haceros una consulta rápida: ¿Cuál es el mejor orden para ver toda la saga?
Solo vi hace años el episodio I y II en la televisión y el III en el cine creo. El caso es que no me acuerdo de prácticamente nada y me quiero poner con toda la saga de una vez, que creo que ya toca. He leído por internet que hay gente que recomienda IV, V, II, III y VI (dejando el I fuera), pero eso no me convence.
Me gustaría que me dijerais si es mejor I, II, III + IV, V, VI o IV, V, VI + I, II, III
Gracias!
Kino et al. mi podcast de cine absolutamente impresentable: https://anchor.fm/kinoetal
Mank review (gesto de disgusto), Let them All Talk review (Soderbergh te odia), Soul review
Pues si solo has visto las precuelas, y hace tanto que no te acuerdas, por mi parte te recomiendo encarecidamente que tomes el camino de iniciacion "obligado" a todo aquel que ve Star Wars por primera vez: IV-V-VI + I-II-III. Es decir, como se rodaron y concibieron originalmente.
Siempre he sido partidario de verlas todas, mas si no lo has hecho nunca. Una vez vistas, si hay algunas que no te gustan puedes eliminarlas de posteriores visionados. Hay quienes prefieren ver solo la Trilogia Original, otros saltarse algun Episodio, verlas con otro orden, otros las ven por orden numerico... Depende del caso.
Pero te recomiendo que lo hagas asi, no solo porque es mejor, sino que las disfrutaras mas en caso de iniciarte ahora, libre de Spoilers, palabrita de Caballero Jedi![]()
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FUERA DE SERVICIO
"So this is how liberty dies, with thunderous applause." - Padmé Amidala
Gracias Zack! Seguiré tu consejo entonces. Sé a grandes rasgos todo lo que pasa pero como nunca me he preocupado mucho por la saga seguro que tengo muchas cosas por descubrir.
Kino et al. mi podcast de cine absolutamente impresentable: https://anchor.fm/kinoetal
Mank review (gesto de disgusto), Let them All Talk review (Soderbergh te odia), Soul review
Exacto, 4-5-6 y luego 1-2-3. No hay orden argumental que supere el orden de estrenos.
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Es mejor verlo en el orden en que se rodaron por lo de EL SECRETO.
Tengo entendido que hubo cambios en el guión episodio III:
Spoiler:
Vaya, pues no tenía ni idea de éso que comenta Janiji.
Y sí, hubiera quedado mucho mejor el E III con esas cosas que al final cambiaron
.Spoiler:
Última edición por Jane Olsen; 16/11/2014 a las 17:18
"People believe my folderol because I wear a turban and a black tuxedo [...] We're in show biz! It's all about razzle-dazzle. Appearances. If you dress nice and talk well, people will swallow anything."
"Waving the flag with one hand and picking pockets with the other: that's your patriotism. Well, you can have it." Alfred Hitchcock's Notorious.
"Listen to them... Children of the night! What music they make..!"
Última edición por jack napier; 16/11/2014 a las 19:13
"The people who criticized lack of focus on Batman were missing the point of the character of Batman. This guy wants to remain as hidden as possible, and in the shadows as possible, and unrevealing about himself as possible, so all of those things - you know, he’s not gonna eat up screen time by these big speeches and doing dancing around the Batcave"
Tim Burton
Última edición por Dr. Morbius; 19/11/2014 a las 21:09
Terrence Malick: “Nunca he sido capaz de trabajar con storyboards.
Es como meter un cubo por un agujero redondo”.
Elstree, 1979: Peggy, Kershner, Oz, Yoda, Kermit, (?), Henson y Kurz.
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Miembros de la ILM y de Skywalker Sound celebrando sus 20 y 30 años en la compañía (Kathy Kennedy al frente):
Synch
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)