¿Y por qué no pueden haber fichado a la Verdú (excelentre actriz, por cierto) para que sea la madre de Flash?
¡Bienvenido a mundodvd! Regístrate ahora y accede a todos los contenidos de la web. El registro es totalmente gratuito y obtendrás muchas ventajas.¿Y por qué no pueden haber fichado a la Verdú (excelentre actriz, por cierto) para que sea la madre de Flash?
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Recuerdo el alboroto de Belle Epoque cuando la Cruz emigró a Hollywood (que entonces era como ir a Wonderland) (ypero mola L.A. eh! ) y la Verdú pasaba.
Si el tema era claro: que es mejor actriz pero sin necesidad de ponernos aquí todos, sin camiseta, a discutir.
Además ha protagonizado la mejor escena del cine español (si alguien me lo discute le espero en la Plaza de los Olivos número 2, en Alcazar de los Voll Damms, provincia de Damm).
Esto no es interpretación. Esto es una maldita maravilla (y Sanz ahí para atestiguar que hay actores y actores)
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Es una actriz extraordinaria. Intelectualmente hablando también merece la pena, ver entrevistas suyas es un placer. Y parece ser una cachonda mental cuando la situación se presta a ello, así que lo tiene todo.
Yo tengo una teoría acerca de lo que ha pasado: Del Toro ha hablado con la Verdú y le ha aconsejado que acepte el papel en la peli de su colega Muschietti. No descarto incluso que haya estado presente en las reuniones vía Skype o algo. Vamos que se ha formado una coalición argentino-mejicana para garantizar la participación española en el proyecto.![]()
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
RIP, Sir Pratchett.
«En la primera reunión con él sobre el futuro de Star Wars, George se sintió traicionado» B. Iger.
«DEI = Discrimination, Exclusion and Intolerance.»
«Most people will never understand the meaning. Gaming isn't just a culture, a lifestyle, or an escape. It's an Adventure.»
«ESOS QUE VES ALLÍ SON MORTALES -prosiguió la Muerte-. ESTARÁN EN ESTE MUNDO APENAS UNOS CUANTOS AÑOS Y SE LOS PASAN COMPLICÁNDOSE LA VIDA. ES FASCINANTE.» Mort, Terry Pratchett.
Me encanta la escena de Amantes, pero joder, uno se pone a pensar en El verdugo, El espíritu de la colmena, La caza... y no la pongo ni en el top 10.
Y ojo, que el papel seguramente sea corto, pero está claro que es muy importante, no solo en la película, sino en todo el universo DC. Digamos queSpoiler:
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Añado a la lista de Marty El Sur, también de Erice. Un gigante, un coloso. Un referente. Una pena que no haya dirigido más largometrajes.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
La escena de Amantes en el top 10 del cine español, en respuesta al órdago de Synch
Maribel Verdú como actriz me gusta mucho. Además es un mito erótico de la adolescencia (sigue siendo impresionante).
La adoro también. Y eso que es solo media película, no le dejaron rodar la segunda mitad de la película, la que transcurría en el sur, precisamente. #ReleasetheEriceCut
El sol del membrillo.Un gigante, un coloso. Un referente. Una pena que no haya dirigido más largometrajes.![]()
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.