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Traveling far from the soap-bubble glamour of "Ocean's Twelve," Steven Soderbergh proves himself, once again, to be among the most restless and inventive American filmmakers working today. "Bubble," shot on high-definition video in a small town near the Ohio-West Virginia border, is a dour slice of realism with a lean, true-crime feel. Using a nonprofessional, local cast and a subtle, efficient script by Coleman Hough, Mr. Soderbergh constructs a tale of jealousy and claustrophobia involving three doll-factory workers. The drabness of their lives, and their inarticulateness, is perhaps a bit much, but the movie is absorbing and unnerving, and represents an admirable attempt on Mr. Soderbergh's part to shake off standard Hollywood clichés about provincial American life and use the movie camera to discover what - and who - is really out there.
Clásico!!!Adamantibus dijo:Antiguo!!!![]()
¿Y que tiene de malo? :?dawson dijo:Se ve que la quiere estrenar simultáneamente en Cine, DVD y TV, y que en los cines venderá antes de entrar ( para el que quiera, claro) ) el DVD
:!
Eso es algo que oí hace tiempo, y no solo ocurrirá con esta película, sino con tres o cuatro más, no lo recuerdo. Es un contrato que tiene SODERBERGH con la productora para hacer (ya digo que no sé con exactitud) tres o cuatro películas, con actores noveles y rodada en video digital. y que se estrenarán todas a la vez en cine, DVD y TV.Se ve que la quiere estrenar simultáneamente en Cine, DVD y TV, y que en los cines venderá antes de entrar ( para el que quiera, claro ) el DVD
On the specialized front, Bubble was a bust, making $70,664 at 32 locations for a paltry per site average of $2,208. Dubbed "Another Steven Soderbergh Experience," the $1.6 million crime drama was promoted more for its release strategy than the actual movie itself—a confounding trailer consisted solely of shots of doll parts in a factory.
Bubble producers Mark Cuban and Todd Wagner conflated the picture's theatrical, DVD and television distribution windows and released it mostly through channels they own: distributor Magnolia Pictures, Landmark Theaters (which comprised most of Bubble's screens) and the high definition television channel HDNet, on which Bubble aired Friday night. Bubble also hits DVD on Tuesday.
All told, Magnolia claimed an estimated $5 million in revenue from all sources for the weekend, the majority of which coming from DVDs shipped to retailers and not actual sales to consumers. Magnolia president Eamonn Bowles said that DVD orders were four to five times greater than the norm for an experimental art picture.
"Although we would have liked more theatrical performance, the overall revenue numbers were outstanding," said Bowles, likening Bubble's appeal to past low-grossing offbeat movies Gerry and Last Days. For a micro-budget movie with limited commercial potential, Bowles also pointed to "the accelerated timetable for getting our money back" as a benefit of the release strategy.
Magnolia's optimism aside, Bubble's box office points out how a simultaneous release on television and DVD effectively eliminates the theatrical window of revenue—people are more apt to choose the most convenient formats, which are TV and DVD—and, hence, reduces the overall revenue pie.
Citando al -ausente- chino.dawson dijo:Ya hay el dvdrip circulando por el em**e![]()
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