bla
Pues el tema de los filtros es algo extenso, se ha dicho de todo un poco en los foros extranjeros.
T lo intentare resumir.
Al parecer han descubierto el filtro q utilizaron los de Cine4home para conseguir su gran contraste de 2018:1 <img src=https://www.mundodvd.com/forum/emoticons/smart.gif ALT=":alloro">
Es este: heliopan rot KR-6-81-EF (77).
Lo puedes encontrar en ebay muy facilmente, lo vende Team-Foto desde Alemania y creo recordar q no lo quedaban muchos cuando yo pedi el mio.
Todavia no he visto comentarios al respecto, imagino q la gente estara como yo, esperando el envio.
Aqui tienes una breve descripción suya y su factor de bloqueo de luz.
La config para este filtro creo q todavia no ha sido posteada, pero seguro q pronto caera para la saka.
Aparte se pudo de moda otro filtro llamado Lee #109 light salmon. Al parecer este filtro tambien hacia maravillas. Lo descrbio un reconocido forero llamado Ausie Bob.
Por lo que llevo leyendo en los foros, a la gente le va gustando mas otra configuracion antes q esta, aunque estoy seguro q es tan validad como las demas.
Aqui tienes su descripcion y su factos de bloqueo de luz.
La config para este filtro es esta:
<blockquote>
Quote:<hr>Official settings for Lee Filters "Light Salmon" #109: take out lots of pink. It's up to the individual user's state of color-blindness, taste and whether they like warm pix or colder ones. When the picture looks Fair And Balanced to you, that's your setting.
I've tried many, but +10 on both G and B contrast works OK, with maybe just a tad of minus-brightness for the R channel (claws back some brightness, too).<hr></blockquote>
Despues otro filtro muy muy demandado, es el CC40R y CC30R. Leete esto y sacaras conclusiones.
<blockquote>
Quote:<hr>Aussie Bob-
Just got a sample of the Lee Light Salmon #109 filter and it is really really pink. Is your sample also really pink? The reason I ask this is becasue it is way redder than the CC40R that I currently have on my 700 and from the look of it it would block much more blue and green than the CC40R which I have determined to be too strong a filter.
I'll have to wait until I get my 81EF filter and see how that compares, but as of right now, I'm thinking that the CC40R is the better choice for higher contrast than the #109.<hr></blockquote>
<blockquote>
Quote:<hr> I was playing with a colour temp meter borrowed from the plant yesterday - just trying to determine what filter I might use to calibrate. I chose to compare the Lee filter CC30 vs the #109. I compared them both in the VIDEO and DYNAMIC modes. It was interesting that the #109 with the DYNAMIC mode dropped the colour temp to about 6300K where the CC30 with the VIDEO mode did the same. Not that I've spent any real time with calibration - probably will buy the SMART III at some point in the near future.
I toyed with the VIDEO mode for a bit and was able to bring it to about 6550K but I believe the axis were somewhat off.
Personally I don't like the DYNAMIC mode much as I believe it is far too sharp (even with sharpness set as low as it will go there is too much high frequency noise) and by eye I'm convinced the GAMMA is non linear at the extremes adding a harshness I do not like. I chose the CC30 vs the 40 because of the extra light it affords.<hr></blockquote>
Y por ultimo el FL-D q como dije hace tiempo, aumenta el contraste final de la escena. Corta mucha luz pero... para los q no tenemos problemas en eso, es otra ayuda superior si cabe para subir mas el liston de nuestro flamante Pana.
Un saludo
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