Siendo ya Fox de Disney, ¿creeis que veremos Aliens 2, 3 y 4) en 4k?. Es que no me decido a adquirir el 4k de la primera, para que luego me quede incompleta la saga clásica. Porque viendo que en la saga Starwars no hemos olido los 4k....
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Siendo ya Fox de Disney, ¿creeis que veremos Aliens 2, 3 y 4) en 4k?. Es que no me decido a adquirir el 4k de la primera, para que luego me quede incompleta la saga clásica. Porque viendo que en la saga Starwars no hemos olido los 4k....
El problema es la 2ª, que es cosa de Cameron. Exige permiso y aprobación, y si no está por la labor, pues nos quedamos sin edición hasta que el señor se aburra y tenga a bien darle el Ok... y a ver qué edición, si depende de él. :fiuCita:
Iniciado por Nomenclatus
Si no fuera por eso ya tendríamos las 4 en UHD desde hace años; es una saga apreciada, valorada y con ventas aseguradas.
No se cuan fieable es pero ahi lo dejo.
https://twitter.com/Jonathan__DC/sta...584168251?s=20
Este también lo dice sobre Aliens.Cita:
Iniciado por Oscar1
https://twitter.com/TheDiscFather/st...5Es1_&ref_url=
Cita:
Iniciado por Oscar1
pues james cameron está (se supone) supervisando ahora titanic, mentiras arriesgadas, abyss, aliens y mientras pre produciendo avatar 3, 4 y 37.
Ahí dejo el cuándo van a salir esas pelis jajajajaj
Esas pelis la mayoría estaban supervisadas como las de avatar. Otra cosa distinta es que Disney no sabía a lo que estaba. Ahora ha cambiado de estrategia, recuperar líneas de negocio ( que no tiene que ver con el físico ni streaming) y no abandonar el físico como tenía vías de hacer. Ya vistes que se anunciaron varias series y esas pelis saldrán y más cosasCita:
Iniciado por george_crow
Pues ojalá que sea pronto, pero yo de cameron hasta que no las vea en tiendas no me las creo.
Aliens para el año que viene. Se supone que Titanic sería a final de año, aunque en usa es Paramount si no me falla la memoriaCita:
Iniciado por george_crow
Y Abyss en Octubre, no te olvides. :cuniaoCita:
Iniciado por varo
No tengo ni idea de cuando saldraCita:
Iniciado por Muthur
Bueno, si confirmáis que Aliens saldrá, aunque sea en una fecha todavía remota, yo me doy con un canto en los dientes
Cita:
Iniciado por heroedeleyenda
¿2050?………:cuniao
"confirmar" algo así, hablando de Cameron, es absurdo.
con Abyss llevan... ¿una década? diciendo que salía en Blu-ray el año que viene. Incluso recuerdo una foto de hace 3 o 4 años con un monitor en la que se veía el título de la película, y un técnico decía que ya había completado la masterización en HD.
Esta vez sí que sí; fechas y datos de preorders enviados a tiendas:
https://images2.imgbox.com/26/37/ZaZ8xKnb_o.jpg
Yo no digo nada, pero eso lo puedo hacer yo con illustrator y photoshop sin despeinarme... jajajaja. Que si son reales, OLÉ, pero no sé porque no me lo creo.
Aliens listada desde hace unos minutos en tiendas de Canadá.
Aliens en 4K con calidad demo. ¿Os imagináis?. Menudo regalo de navidad.
Aquí ni la vamos a oler supongo...
Ehhh no, no me lo imagino, me imagino el museo de cera! Pero ojalá …
Marzo 2024 en físico.
Cita:
BURBANK, CA. (November 15, 2023) – A piece of cinema history comes home this year when six box-office juggernauts from Oscar®-winning director James Cameron are released. The six titles—The Abyss, True Lies, Aliens, Titanic, Avatar and Avatar: The Way of Water—will be made available in 4K Digital and 4K Ultra HD + Blu-ray.
Cameron, who has helmed three of the five highest grossing movies of all time, says “There’s a world of emotions in revisiting these films and I hope we’ve captured some of that in the new bonus materials we created for our fans.”
Oscar®-winning producer Jon Landau added, “We really wanted to deliver the best possible experience at home so viewers could immerse themselves both in the films and the journeys we went through to make them.”
The 4K transfer for each release will be presented in superb Dolby Vision HDR and with an immersive Atmos audio mix. Additionally, most of the releases will arrive with several hours of captivating all-new bonus features. From the eight hours of Avatar: The Way of Water bonus including all-new deleted scenes to the five hours of new and legacy Titanic extras, fans will delight in the numerous hours of never-before-seen materials.
Release date schedule is as follows:
On Dec. 5, 2023, available for the first time ever on 4K Ultra HD + Blu-ray and at digital retailers including Prime Video, Apple TV and Fandango/Vudu:
Titanic 25th Anniversary Collector’s Edition
Available in 4K Digital, some for the first time ever, on Dec. 12, 2023, at digital retailers including Prime Video, Apple TV and Fandango/Vudu:
Aliens Collector’s Edition
The Abyss Collector’s Edition
True Lies Collector’s Edition
Avatar Collector’s Edition
Avatar: The Way of Water Collector’s Edition
Available Dec. 19, 2023, are special edition 4K Ultra HD + Blu-rays of:
Avatar 4K Collector’s Edition
Avatar 3D Blu-ray
Avatar 4K Limited Edition Steelbook (available only at Best Buy)
Avatar: The Way of Water 4K Collector’s Edition
Arriving on March 12, 2024, new on 4K Ultra HD + Blu-rays are special editions of three of Cameron’s most popular feature films:
Aliens 4K Collector’s Edition
The Abyss 4K Collector’s Edition
True Lies 4K Collector’s Edition
All titles will be available to pre-order from November 20.
Incluirá los dos cortes.
https://imageio.forbes.com/specials-...Pack/960x0.jpg
Datos de Aliens.
Cita:
ALIENS: ULTIMATE COLLECTOR’S EDITIONTHEATRICAL VERSION AND SPECIAL EDITION VERSIONStreet Date
- Digital: December 12, 2023
- Physical: March 12, 2024
Product SKUs
- Digital: 4K UHD, HD, SD
- Physical: 4K Ultra HD Combo Pack (4K UHD + Blu-ray + Digital Code)
Theatrical Version Run Time: Approx. 137 minutes
Special Edition Run Time: Approx. 154 minutes
Rating: U.S. Rated R
Aspect Ratio
- Digital: 1.85:1
- Physical: 1.85:1
Disc Size
- 4K UHD: 100GB
- Blu-ray: 50GB
U.S. Audio
- Digital: English Dolby Atmos (UHD only, some platforms), English 5.1 & 2.0 Dolby Digital, Spanish 5.1 & 2.0 Dolby Digital, French 5.1 & 2.0 Dolby Digital, English 2.0 Dolby Digital Descriptive Audio (some platforms)
- 4K UHD Theatrical Version and Special Edition: English Dolby Atmos, English 2.0 DTS-HDMA, English 2.0 Dolby Digital Descriptive Audio, French 5.1 DTS-HDHR, Spanish 5.1 Dolby Digital
- Blu-ray Theatrical Version and Special Edition: English 5.1 DTS-HDMA, English 2.0 Dolby Digital, English 2.0 Dolby Digital Descriptive Audio, French 5.1 DTS-HDHR, Spanish 5.1 Dolby Digital
U.S. Subtitles
- Digital: English SDH, Spanish
- Physical: English SDH, Spanish, French
BONUS FEATURES
- James Cameron Introduction – A message from writer/director James Cameron introducing the Special Edition version of the film.
- 2003 Audio Commentary by James Cameron and the Cast and Crew-Special Edition – 1990 Special Edition Commentary by James Cameron and the cast and crew.
- The Inspiration and Design of Aliens – For the 30th anniversary, writer/director James Cameron reveals new insight into his own inspiration and the design elements for Aliens.
- 2003 Audio Commentary by James Cameron and the Cast and Crew – 1986 Theatrical Version Commentary by James Cameron and the cast and crew.
- Isolated Scores
- Final Theatrical Isolated Score – This isolated track presents, as accurately as possible, James Horner’s music score in its final form following extensive reworking during the post-production process.
- Composer’s Original Isolated Score – Although there are a few instances where the length of individual sequences was changed slightly after the music was recorded, this isolated score track presents, as accurately as possible, James Horner’s original intentions.
- Superior Firepower: Making Aliens – Immerse yourself in the world of Aliens with 11 fully-loaded featurettes that deconstruct all that went into making this sci-fi thriller, from casting to creature design to post-production and everything in between.
- 57 Years Later: Continuing the Story
- Building Better Worlds: From Concept to Construction
- Preparing for Battle: Casting and Characterization
- This Time It’s War: Pinewood Studios, 1985
- The Risk Always Lives: Weapons and Action
- Bug Hunt: Creature Design
- Two Orphans: Sigourney Weaver and Carrie Henn
- Beauty and the Bitch: Power Loader vs. Queen Alien
- The Final Countdown: Music, Editing and Sound
- The Power of Real Tech: Visual Effects
- Aliens Unleashed: Reaction to the Film
- Superior Firepower: Making Aliens Enhancement Pods – Supplemental video pieces to complement Superior Firepower: Making Aliens.
- Without Sigourney Weaver
- Origins of Acheron
- Building Hadley’s Hope
- Cameron’s Design Philosophy
- Finding an Unused Power Plant
- Cameron’s Military Interests
- Working with Sigourney Weaver
- The Importance of Being Bishop
- Paul Reiser on Carter Burke
- The Paxton/Cameron Connection
- Becoming Vasquez
- On Set: Infiltrating the Colony
- Props: Personal Light Unit
- Simon Atherton Talks Weapons
- Praising Stan Winston
- Test Footage: Chestburster
- Fighting the Facehugger
- Test Footage: Facehugger
- Stan Winston’s Challenge
- Test Footage: Queen Alien
- Stan Winston’s Legacy
- Cameron’s Cutting Edge
- Sigourney Weaver’s Triumph
- Re-Enlisting with Cameron
- From Producer to Stunt Double
- Pre-Visualizations: Multi-Angle Videomatics
- Angle 1: Videomatic
- Angle 2: Videomatic/Final Shot Comparison
- Audio Commentary by Miniature Effects Supervisor Pat McClung
- Direct Access to New/Additional Scenes From Special Edition
- Ripley’s Daughter – Burke informs Ripley that her daughter died two years ago.
- Van Leuwen’s Verdict – Van Leuwen reads the findings of the court of inquiry.
- The Colony/The Jordens’ Discovery – The colony is bustling with life and activity. Newt, along with her brother and parents, come upon the Derelict ship.
- Burke’s Answer – At Ripley’s apartment, Burke explains why he’s making the trip to LV-426.
- INT. Sulaco – Establishing shots of the interior of the Sulaco before the crew awakens from hyper-sleep.
- Hudson’s Hubris – As they descend in the drop ship to LV-426, Hudson boasts about their advanced weaponry.
- False Alarm – Hudson and Vasquez detect motion in the colony, only to find it is pet hamsters.
- Ripley Pauses – As she enters the colony, Ripley hesitates for a moment.
- The Sentry Guns – Hicks reveals they have robot sentry systems. While examining the colony blueprints, Ripley and Hicks discuss where to place the robot sentries.
- Fire in the Hole – Hudson and Vasquez set up the UA 571-C remote sentry weapons and following a quick test, seal the tunnel.
- Last Line of Defense – The Sentry Guns dutifully scan the tunnel for incoming targets.
- Newt’s Questions – Newt quizzes Ripley about the fate of her parents.
- Hudson’s “Ant” Theory – Hudson speculates on how the Aliens are organized and reproduce.
- The Aliens Attack – The Sentry Guns unload on multiple targets.
- The Aliens Retreat – Under withering fire from the sentries, the Aliens are temporarily repulsed.
- First Name Basis – As Ripley departs the drop ship to try and rescue Newt, she and Hicks share their first names with each other.
- Deleted Scene: Burke Cocooned – Long one of the most sought-after lost moments from the entire Alien Anthology, this scene depicting Carter Burke’s fate is now revealed.
- Deleted Scene Montage – This collection of scene extensions and omitted moments represents the remainder of deleted scenes not appearing in either the Theatrical Version or the Special Edition.
- Still Galleries and More
- Original Treatment by James Cameron
- Storyboard Archive
- The Art of Aliens
- Cast Portrait Gallery
- Production Image Galleries
- Continuity Polaroids
- Weapons and Vehicles
- Stan Winston’s Workshop
- Colonial Marine Helmet Cameras
- Video Graphics Gallery
- Weyland-Yutani Inquest: Nostromo Dossiers
- Post-Production Aftermath
- Image Galleries
- Laserdisc Archives
- Main Title Exploration
- Teaser Trailer
- Theatrical Trailer
- Domestic Trailer
- International Trailer
Os confirmo por fuente interna de España que las 3 ediciones saldrán aquí.
La única que me interesa de esta "hornada" del Camarón. Mis ganas de tenerla en UHD son iguales al miedo que tengo a la edición, estando el carídeo involucrado... :sudorCita:
Iniciado por cesarleeds
¡Gran noticia! Será más barato ponerla en la estantería. :ganoCita:
Iniciado por samuel28591
Del Facebook de Bill Hunt, TheDigitalBits
1. Both versions of The Abyss will be included on both 4K UHD and Blu-ray.
2. Both versions of Aliens will be included on both 4K UHD and Blu-ray.
3. ALL THREE VERSIONS of Avatar will be included on both 4K UHD and Blu-ray.
4. The Blu-ray versions of The Abyss and True Lies are mastered from the new 4K scans.
5. The Blu-ray versions may eventually be available separately, but for now they’re exclusive to these 4K UHD + Blu-ray Combos.
6. All 4K presentations will include Dolby Vision HDR and Dolby Atmos audio on 100 GB discs.
7. All titles except Aliens will include new special features.
8. All titles will include the legacy special features.
9. 4K Digital versions of all these titles will be available on December 12th.
A couple of additional notes:
10. The Aliens Blu-ray is mastered from the new 4K scan as well.
11. True Lies is rated R, not PG-13 as indicated in the press release. (That was an error on the release.)
https://scontent.fxry1-2.fna.fbcdn.n...Dw&oe=6559D5E2
Dios... el horror :pared
No sin mi hija, con Sally Field.
Vamos cuesta abajo sin frenos.
Saludos
A mi me interesan solo las 3 primeras.:P
¿Has visto la carátula de la película original?Cita:
Iniciado por sunshine
Imagen de un supuesto ser de metal líquido o similar, sin relación alguna con la película... salvo cierto parecido con la criatura, equiparable a mi parecido con Pablo Echenique...
¿Es decente la nueva carátula? Ni por asomo, pero cuesta abajo no es, ya que al menos tiene relación la película. Pasan de un 0,25 a un 1,25. Sigue siendo un suspenso de llamar a los padres a reunión con el profesor, pero es (ligeramente) cuesta arriba.
:lee
Esa de Alien es otro horror, un spoiler sobre el desarrollo del bicho que contrasta con el misterio del huevo. No hay ni mención a la famosa frase del mítico cartel original. Tras el cartel del 40° aniversario 4k, desde el espacio, todos pueden oír los gritos.
Saludos
Pues a mi me gusta la caratula :cuniao
Pues el original tenía temática parecida. Pero luciendo más el arma.Cita:
Iniciado por sunshine
https://www.tuposter.com/pub/media/c...er_espa_ol.png
Ese es el cartel de cines que tenía cuando la vi en cine y es muy muy bonito. El del 4K de Abyss se acerca más a Avatar con Mastrantonio que se me parece a una sirenita y el que más me gusta es el de Mentiras arriesgadas, el original tampoco me parece una maravilla y en la portada del 4K se hace justicia incluyendo a Jamie Lee,Cita:
Iniciado por jmac1972
Ya disponible para pedir en Amazon.uk:
https://www.amazon.co.uk/Aliens-Ultr...s%2C148&sr=8-1
Que susto jajaja fecha de salida 31 de diciembre de 2028 pone jajajaja
Review de Bill Hunt de la edición digital de Aliens en 4K de Apple. Ya, ya sé, no es el disco, pero de momento servirá para hacerse una idea. Cito el segmento donde habla de la imagen y el sonido.
Aliens was shot on 35 mm photochemical film (specifically Eastman 400T 5294 and 5295) by cinematographer Adrian Biddle (The Princess Bride, 1492, V for Vendetta) using Arriflex 35-III and Moviecam SuperAmerica cameras with Canon K35 spherical lenses, and it was finished on film at the 1.85 flat aspect ratio for theaters. For its release on Ultra HD, Lightstorm, working with Park Road Post, appears to have utilized the best-available 2K scan (probably the same one from which the existing Blu-ray was created)—“optimized” by Park Road’s proprietary deep-learning algorithms—to create a new 4K Digital Intermediate. Photochemical grain has been greatly reduced, though not eliminated entirely, and it should be noted that this isn’t the usual Digital Noise Reduction with which people have long been familiar (a dreaded and blunt instrument). Unlike an image scrubbed with DNR, this process hasn’t removed all of the fine image detail. Not only does that detail remain, it too has been “enhanced” algorithmically. The image has then been graded for high dynamic range, with both Dolby Vision and HDR10 available. (Note: It’s possible that this remaster utilized a 4K scan of the original camera negative, but I haven’t been able to confirm that in this particular case—all of the other new Cameron 4K remasters do, however, use native 4K scans to start, per Lightstorm.)
The result is remarkable clarity and detail, but it is a bit jarring. Applied to Titanic (reviewed here), this unique remastering process feels completely appropriate. Applied to Aliens, which has always been a film with a grittier look, it takes more getting used to. The film looks almost modern now as opposed to vintage late 80s, which appears to be Cameron’s intent. On the other hand, I’ve just spent the entire morning going back and forth between the Alien Anthology Blu-ray and the new 4K Digital presentation on Vudu, Apple TV, and Movies Anywhere, and I definitely prefer the 4K (with a caveat that the forthcoming physical UHD should release improve upon it). There’s no doubt that this is James Cameron’s Aliens looking better than you’ve ever seen it before. There’s still light photochemical grain visible. There is plenty of fine image detail visible (though it’s a little less nuanced looking than the fine detail on Titanic). The color palette is vibrant, with the cool blue-gray tones it’s always had, and it’s close enough to the Blu-ray palette that you wouldn’t notice a difference unless you compared the images side-by-side. Blacks are incredibly deep, highlights are genuinely bold. This 4K image certainly isn’t perfect—it often looks a little… processed is the best word I can come up with. But the more I look at it, the more I like it, and I suspect that most fans will feel the same. But I also suspect that some viewers will really dislike it, because it’s definitely different, and I certainly appreciate that perspective too.
The film’s primary English audio is now included in a new Dolby Atmos mix that features a bigger, wider, and much more immersive soundstage than ever before. Subtle atmospherics surround the listener, with tight and punchy LFE, and more tonally full-sounding mids. Dialogue is clear at all times. Directional effects and movement are smoother sounding and a bit more aggressive at once. The height channels are employed more subtly for overhead completion, but they do play a more noticeable role occasionally, such as when the Sulaco’s dropship is firing up its engines (and the camera pans down to see Ripley watching). The actual drop too features them more prominently as hatches clang, latches release, and the engines scream down from overheads above. James Horner’s score utilizes the entire soundfield, exhibiting high fidelity that benefits its trademark brassy horn section. This is a very good sonic upgrade, and I look forward to hearing it in full bit rate on physical 4K UHD in a few months.
Te he agradecido el post, aunque sinceramente lo que me apetecía era reportarlo... Matar al mensajero no arregla las cosas, pero es innegable que relaja un poco... :cuniaoCita:
Iniciado por Branagh/Doyle
Hmmm... acabo de mirar, y en mi cuenta de iTunes USA la veo actualizada. Ya tengo plan para esta tarde.
Aparte de lo remarcado (que hasta yo con mi paupérrimo inglés me he enterado por donde van los tiros) me ha llamado la atención la “probable” utilización de un escaneo 2K.
Me resulta extraño.
No puedo asegurarlo, pero creo que toda esta remesa de ediciones de películas de Cameron violadas/manipuladas por Park Road parten de escaneos o masters 2K previos. Creo que no hay fuente 4K nativa en ninguno de los casos.Cita:
Iniciado por jmac1972
Entonces es un reescalado a 4K? Es que pone que el algoritmo de Park Road ha creado un nuevo DI 4K a partir del 2K de antes. Es eso lo que pone verdad?