Y ni te digo cómo tienen que ser esos negros combinados el Dolby Vision con un panel OLED.
En el Padrino II, lo mismo. Mismo esquema de color, pero por ejemplo en las secuencias de Cuba ya no está ese contraste y brillo desbocadísimo que quemaba los blancos y el detalle, pero viraje a colores fríos no percibo.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Alquilar...............
En la contraportada del pack de la trilogia de Blu-ray de Divisa en El Padrino Parte II poner restauracion de 2.008. Viene con los audios españoles 5.1 y mono 2.0,
Parece que es el disco antiguo...
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Pues venga, es fácil, vamos:
- 3 segundos no es nada
- peor es nada
- Por 3 segundos no me voy a privar de disfrutar de esta restauración
- Paramount seguramente cambiará los discos algún día
- Cómo luce en 4k, lo de los 3 segundos si no lo dicen ni me entero
- Mejor así, ya está todo muy mal para encima aguantar a Kay llorando en soledad
- La caja es preciosa
- Como tenía un cupón me ha salido solo por 145€
- Por fin jubilo mis viejos vhs
- ...
A ver ese consumidor patrio, que no se diga. Además, 3 segundos, entre 3 pelis, es solo 1 segundo por peli.
Sí se puede!!
Tiene pinta de pifia. Michael le da el tortazo, llora, y corte al tren en Sicilia. No hay plano posterior al tortazo de ella sollozando sola.
Tampoco hay intermedio, como si lo había en los BD.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
3 segundos no es "nada", pero si es un error o algo que no debería estar ahí, ya sería otros de los muchos discos que llevan saliendo con errores desde hace meses. ¿Que demonios está pasando? Es molesto esperarte meses para una edición que tienes ganas, y luego tiene errores y tienes que esperarte unos meses más.. me pasó con la de los Beatles.
Bill Hunt:
My goodness! This new #4K restoration is magnificent. There’s so much more detail, more refined color. Even shots that on the previous Blu-ray looked crushed or blown out have more detail and nuance now. It’s not an exaggeration to say that this is a night and day upgrade vs. the original Blu-ray edition. A stunning restoration! Well done, Andrea Kalas, James Mockoski, and everyone at American Zoetrope, Paramount, and Warner Bros. Motion Picture Imaging. Special props also to Robert A. Harris for his 2007 restoration, which was the foundation for this work. Here’s your #UltraHD release of the year, folks.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
"Every effort was made to create the finest possible presentation for today’s audiences who can watch the films using technology that has advanced dramatically since 2007 when the last restoration was completed by eminent film historian and preservationist Robert Harris. Using that work as a blueprint, the team spent thousands of hours to ensure that every frame was evaluated to create the most pristine presentation while remaining true to the original look and feel of the films.
The monumental effort included the following:
Over 300 cartons of film were scrutinized to find the best possible resolution for every frame of all three films.
Over 4,000 hours were spent repairing film stains, tears, and other anomalies in the negatives.
Over 1,000 hours were spent on rigorous color correction to ensure the high dynamic range tools were respectful of the original vision of Coppola and cinematographer Gordon Willis.
In addition to the 5.1 audio approved by Walter Murch in 2007, the original mono tracks on The Godfather and The Godfather: Part II have been restored.
All work was overseen by Coppola."
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Tanto curro y nadie se vio la peli para darse cuenta de que la habían giñado en lo principal.
De Home Theater Forum. Los segundos de menos han sido cosa de Paquito.
I contacted the head of restoration (wonderful lady I have spoken to in the past.) I will report back her official word on the matter.
Official answer: Intentional, because there was an over allowance for the reel change. Since the films won't be seen on 35mm reels, FFC felt the frames should be excised.
Última edición por Branagh/Doyle; 16/03/2022 a las 17:45
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
También de Home Theater Forum:
The differences in color timing are much more subtle on my calibrated, professional photo editing monitors at home than on my uncalibrated, cheapo productivity monitors at work. On my crappy work monitors, I saw a big difference. On my calibrated monitors, I see a slight red tint on the blu-ray that's been dialed back on the UHD. The images otherwise look similar, with the UHD yielding slightly better detail retrieval (see the pattern on Sonny's suit in screengrab 18) and less obvious compression artifacts. It's not a dramatic reimagining of Mr. Willis' or Mr. Harris' work, and to the extent absolute "correct" color exists, the UHD and blu-ray both look like they fall within the same general margin of error.
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Le dan la razón al Padre Karras con lo del exceso de rojo en los BD...
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
(...)
I read to live in other people's lives.
I read about the joys, the world
Dispenses to the fortunate,
And listen for the echoes.
I read to live, to get away from life!
There is a flower which offers nectar at the top,
Delicious nectar at the top and bitter poison underneath.
The butterfly that stays too long and drinks too deep
Is doomed to die.
I read to fly, to skim!
I do not read to swim!
(...)
-Stephen Sondheim, Passion-
Lo de las "colas" de tiempo puede ser totalmente cierto. Recuerdo cierto trabajo en que me pidieron dejar colas de varios segundos en unos vídeos para poder encadenar a otra imagen, y luego la manazas de la editora las metió enteras, dejando los finales carentes de sentido...
Es posible que en las anteriores ediciones se metieran esos tres segundos por miedo a cortar algo que tuviera que estar ahí, y ahora se haya hecho lo correcto. Pero a saber.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)